As you can probably imagine, I love very romantic chick flicks with happy endings — whether it’s Love, Actually or Notting Hill or Bridgit Jones, Confessions of a Shopaholic, My Best Friend’s Wedding — and remember the good old days of When Harry Met Sally and Sleepless in Seattle?
Ahhh. Romance. YES.
I could include Dirty Dancing, but the ending is ambiguous. WILL they get together again, or WON’T they? I like a nice, tidy ending with a FOREVER love.
And then there’s Fifty Shades of Grey.
Sixteen words describe the film, based on a novel by E.L. James.
According to IMDb: “Literature student Anastasia Steele’s life changes forever when she meets handsome, yet tormented, billionaire Christian Grey.”
Sounds pretty benign, right? We all know THAT’S an understatement, right?
No mention of BDSM (and I had to look it up, ‘cos I had NO IDEA what it was.)
At one point in the film, Christian tells Anastasia that he “does not do love and romance.”
Not very Valentine’s Day-ish to me. Not the message I’d want to hear, that’s for sure.
Ch, Jamie Dornan is nice to look at, but I’m not getting the appeal of Dakota Johnson.
I think there was more sexy chemistry between Chuck Bass (Ed Westwick) and Blair Waldorf (Leighton Meester) in Gossip Girl.
Then, also on IMDb (which is different than BDSM haha), I found this…
It’s a Parent’s Guide (!) for Fifty Shades of Grey with this disclaimer: the content of this page was created directly by users and has not been screened or verified by IMDb staff.
(And this is just my opinion as a MOM, but I don’t really think this is the kind of movie that contains appropriate content for children. Or teens. Or young adults. Or anyone, ‘cos I’m kind of a prude that way, but that’s just me.)
So here you go, if you haven’t read the novel and you’re thinking about seeing the film, and you don’t want to be surprised…
“A woman tells a man that she is a virgin and he asks, “You’ve done other things, right?” to which she answers that she has not and he takes her to a bedroom and then they remove their own clothing (we see full nudity of both people, except for the crotch area); he kisses her mouth, throat, chest, nipples, abdomen, navel and the inside of her thighs several times, blows air onto her chest and abdomen, removes her panties and lies on top of her where he thrusts and she moans and writhes (the camera pans up to show his bare back and buttocks thrusting in a ceiling mirror).
A woman lies nude on a bed with the camera behind her head, looking toward her feet; she spreads her thighs slightly and we see her shaved pubic area and vagina lips slightly parted for a few seconds. In several scenes, we see a man and a woman completely nude from the back. A woman is seen fully nude in several head to foot profiles while standing and while lying on a bed; we see her full breasts and nipples, several times in close-up. Several scenes feature a nude woman from the waist-up, in close-up, facing the camera and. A shirtless man wears jeans that reveal his upper pubic area (no pubic hair). A woman facing away from the camera drops a robe and we see her bare back including buttocks. A laptop screen displays two Internet images of nude women tightly hog-tied with black leather straps and we see partially nude thighs, abdomens and backs.
A man throws a woman onto a bed, removes her clothing, removes his clothing, blindfolds her with her undershirt, and ties her forearms and wrists together with a necktie; he then roughly turns her over onto her face and chest and begins intercourse and we see thrusting and hear gasping as the scene ends; the camera cuts to the couple in bed under covers, he dresses and leaves after telling her he does not do love and romance. In half a dozen scenes, a man uses a necktie or red ropes to tie a nude woman’s hands above her head in bed, sometimes to a bed’s headboard and sometimes, he ties her ankles to the foot of the bed and he blindfolds her as well in a few scenes; in one scene, he removes and smells her panties, then sticks them down the back of his jeans as he manacles her wrists to an overhead frame, tickles her body with a riding crop all over her body and then slaps the crop against her rib cage and buttocks causing her to gasp; he lifts her thighs and begins intercourse in close-up and we see her abdomen hitting against his abdomen.
In three scenes a man turns a woman over his knee at home, raises her skirt, lowers her panties, and slaps her buttocks as she gasps. We see a riding crop hit a woman’s bare buttocks in close-up as she gasps. A man hits a woman’s buttocks with a heavy lash while she counts and cries and we see no injuries until she stands up, pushes him and stomps a foot, making her bare breasts jiggle. A woman wearing a blindfold, is handcuffed by the wrists to a headboard above her head; we see her from the upper-chest-upwards, we see her startle and hear her gasp (sexual stimulation is implied below the frame) as a large peacock feather is drawn across her lower legs and breasts from off-screen; a many-tailed flog is drawn across her body in the same way, with light slapping of the abdomen three times. In a bedroom scene a man spits a mouthful of wine into a woman’s mouth, then takes an ice cube in his mouth, rubbing it along her lips, chest, nipples and abdomen as she gasps. A man and a woman are shown in a bathroom where he is bare-chested and she is seen fully nude from the back (we see them in a mirror); they sit together in a bathtub of water as she leans back against his chest and we see her topless as he dribbles water across her chest and the scene ends. A man and a woman on their first date have sex on a couch: with the camera behind the couch we see thighs until the woman’s roommate enters the apartment and the two on the couch get up and the man dons jeans off-screen while the woman wears a knee-length slip that bares some cleavage.
A shirtless man sits on a piano bench in the dark in a long shot and his girlfriend approaches, wearing a large sheet that he pulls away; we see her fully nude from the back as she straddles his lap and sits and he stands up and carries her off-screen, holding her thighs (her buttocks are spread apart somewhat and sex is implied). A man and a woman kiss passionately for several seconds in a dozen scenes; he also caresses her lips and face with his fingers. A man and a woman have a passionate encounter in an elevator; the man backs the woman into a wall, holds her hands above her head and kisses her passionately as she returns his kiss (we see tongues touching). A pilot straps a woman into a helicopter seat with three straps, his hands coming close to her groin and he cinches her straps tightly and she gasps.
A man and a woman discuss a bondage and sadomasochism behavioral contract in an office; she asks the man what “anal fixing” and “vaginal fixing” are, but he does not have the chance to explain because they are interrupted. We hear that a man’s mother was a prostitute and he tells a woman that his adoptive mother’s friend seduced him when he was 15 years old, making him a bondage submissive to her dominant character for six years and that at age 27, he has had 15 women submissives serially.
We see a red upholstered dimly lit room with a red leather headboard on the bed, a ceiling mirror above it, red walls and red carpet and various of sado-masochist appliances.”
(BTW IMDb = Internet Movie Database)
ICK. Sorry, but this does not appeal to me. I don’t like the message; it sounds quite rape-culture-ish and crosses boundaries I’m not interested in crossing.
Tugboat man returns next week. I asked him if he wanted to see the film, and he said NO. Definitely NO. Definitely NOT in a public forum, that’s for sure. Being around a bunch of people who are semi or full-on aroused grossed him out, he said.
- Have you read the book(s)?
- Will you see the film?
- Will you see it in theaters or in the privacy of your own home?
Happy Friday the Thirteenth, everyone!