Tag Archives: Poet Laureate

Remembering September 11, 2001 | Twenty-Two Years Later

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I woke up this morning to a glorious blood-red sky.

It was about 6:30 or so, and I realized what day it was.

This was about the same time, twenty-two years ago, that I had taken my first sip of coffee and turned on the news to learn that the Twin Towers of the World Trade Center had been crashed into by hijacked jets.

I woke up my son and while we huddled together watching TV, there were other reported terrorist attacks on the Pentagon and a crash in Pennsylvania.

The September 11 attacks of 2001 caused the deaths of nearly 3000 victims and nineteen hijackers. Thousands more were injured and long-term health effects have arisen as a consequence of the attacks.

This sky is a poignant reminder of that tragic day.

William James Collins is an American poet who served as the Poet Laureate of the United States from 2001 to 2003.

The Names is his poem about 9/11.


Yesterday, I lay awake in the palm of the night.
A soft rain stole in, unhelped by any breeze,
And when I saw the silver glaze on the windows,
I started with A, with Ackerman, as it happened,
Then Baxter and Calabro,
Davis and Eberling, names falling into place
As droplets fell through the dark.
Names printed on the ceiling of the night.
Names slipping around a watery bend.
Twenty-six willows on the banks of a stream.
In the morning, I walked out barefoot
Among thousands of flowers
Heavy with dew like the eyes of tears,
And each had a name --
Fiori inscribed on a yellow petal
Then Gonzalez and Han, Ishikawa and Jenkins.
Names written in the air
And stitched into the cloth of the day.
A name under a photograph taped to a mailbox.
Monogram on a torn shirt,
I see you spelled out on storefront windows
And on the bright unfurled awnings of this city.
I say the syllables as I turn a corner --
Kelly and Lee,
Medina, Nardella, and O'Connor.
When I peer into the woods,
I see a thick tangle where letters are hidden
As in a puzzle concocted for children.
Parker and Quigley in the twigs of an ash,
Rizzo, Schubert, Torres, and Upton,
Secrets in the boughs of an ancient maple.
Names written in the pale sky.
Names rising in the updraft amid buildings.
Names silent in stone
Or cried out behind a door.
Names blown over the earth and out to sea.
In the evening -- weakening light, the last swallows.
A boy on a lake lifts his oars.
A woman by a window puts a match to a candle,
And the names are outlined on the rose clouds --
Vanacore and Wallace,
(let X stand, if it can, for the ones unfound)
Then Young and Ziminsky, the final jolt of Z.
Names etched on the head of a pin.
One name spanning a bridge, another undergoing a tunnel.
A blue name needled into the skin.
Names of citizens, workers, mothers and fathers,
The bright-eyed daughter, the quick son.
Alphabet of names in a green field.
Names in the small tracks of birds.
Names lifted from a hat
Or balanced on the tip of the tongue.
Names wheeled into the dim warehouse of memory.
So many names, there is barely room on the walls of the heart. -- Billy Collins

The Chair That No One Sits In

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(I know that one is not really supposed to end a sentence with “in”, but the proper way sounded stilted and phony, so I made a decision based on this information: “never ending a sentence with a preposition is a myth. It’s something wrongly attributed to English that is actually a real rule in Latin.”)

So…on a walk a couple years ago, I found this chair with its turquoise-painted partner tossed out on the street. They looked lonely and sad, so I went home to get my car and rescued them both.

I placed the chairs on the side of the house with every intention of brightening them up with a new coat of paint but their weary and worn character grew on me. I’ve left them to naturally weather every storm just as they are — honest and true — with nothing to camouflage their straightforward authenticity.

I like them just the way they are.

Funny enough, I get a lot of compliments from neighbors who walk by and comment about how they love the artful way the flowers seem to embrace this simple old chair.

The Chair That No One Sits In

You see them on porches and on lawns
down by the lakeside,
usually arranged in pairs implying a couple

who might sit there and look out|
at the water or the big shade trees.
The trouble is you never see anyone

sitting in these forlorn chairs
though at one time it must have seemed   
a good place to stop and do nothing for a while.

Sometimes there is a little table
between the chairs where no one   
is resting a glass or placing a book facedown.

It might be none of my business,
but it might be a good idea one day
for everyone who placed those vacant chairs

on a veranda or a dock to sit down in them
for the sake of remembering
whatever it was they thought deserved

to be viewed from two chairs   
side by side with a table in between.
The clouds are high and massive that day.

The woman looks up from her book.
The man takes a sip of his drink.
Then there is nothing but the sound of their looking,

the lapping of lake water, and a call of one bird
then another, cries of joy or warning—
it passes the time to wonder which.

William James Collins, Poet Laureate of the United States from 2001 to 2003.

(Photo credit to Enchanted Seashells)