Tag Archives: Rock and roll

Homeward Bound with Leon Russell and Gary Ogan

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Written by Paul Simon and originally performed by Simon and Garfunkel, this live version of Homeward Bound by Leon Russell (and Gary Ogan) is a TREASURE I had never heard before yesterday.

Photo credit Gary Ogan

Gary Ogan is a forty-seven year veteran in the music business and an Oregon Music Hall of Fame inductee. He moved to Los Angeles in 1977 to sign with Leon Russell’s Paradise Records.

From Gary Ogan: “As the winter of 1977 approached, I was booked as a solo opener for Phoebe Snow on a short run through the Pacific Northwest, five dates altogether, including Thanksgiving night in Portland at the Civic Auditorium. Once the mini-tour was confirmed, Leon mentioned that he and Mary wanted to fly up for my Portland show. He asked if I wanted him to sit in with me. Then he shared the idea he had hatched. He and Mary would watch my set from the wings, then he would step out unannounced after my last song for a duet of “Homeward Bound.” He would sing lead, I would sing backup, we would do the song in the key of C, I would capo my guitar at the 8th fret and play the song in the G position. Once again, I loved how much thought he had put into such a generous gesture. It came off great too. The place went nuts when he walked out, and the ovation would not stop after we left. Here’s a shot of that performance.”  

This is a long lost soundboard audio of an unreleased performance with Gary Ogan, featuring the Master of Space and Time, Leon Russell.

Leon’s musical genius never fails to bring joy. His interpretation is AMAZING, as is the perfection of his voice for these lyrics. It’s rare to hear him sing without sitting at his piano.

Christmas Songs by Leon Russell

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On this Christmas Eve EVE, it’s a perfect time for some Leon Russell trivia…

From Pinterest

Record producer Phil Spector spent several sessions recording a collection of songs with his Wrecking Crew for a Christmas album called A Christmas Gift for You. One of the greatest moments during those sessions was when “Christmas (Baby, Please Come Home)” was recorded by Darlene Love.

Leon Russell was one of three piano players and Darlene said that Leon got into the song so much “he played a like a man possessed; it was almost like a concerto. He played himself right off the bench and onto the floor and kept playing.” It’s undeniably Leon; he was about twenty-one years old at the time.

At the same recording session, Cher did some background vocals and Sonny Bono was on percussion!

Enjoy these holiday songs from the one and only Master of Space and Time, Leon Russell. For you Grateful Dead fans (not me), this was recorded with Jerry Garcia at the Armadillo World Headquarters November 1972.

Leon Russell’s music is now owned by George Harrison’s Dark Horse Records. Here’s “The First Noel” from Leon Russell Hymns Of Christmas:

Christmas Songs by Leon Russell

Lost Inside of You

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Did you know that Leon Russell wrote “Lost Inside of You” with the one and only Barbra Streisand? The hit song was recorded for the movie, A Star is Born, and that’s Leon on the soundtrack. He will forever be the one and only Master of Space and Time, a musical, visionary genius.

Barbra Streisand took on the lead female role of Esther Hoffman in the 1976 remake of the 1954 film A Star Is Born, opposite Kris Kristofferson as John Norman Howard, an aging singer engulfed by excesses and demons.

Howard’s road manager was portrayed by Gary Busey, a friend of and drummer for (as Teddy Jack Eddy) Leon Russell. Busey introduced Barbra to Leon, and while at her Malibu ranch, Barbra and Leon wrote “Lost Inside of You”.

It was included in the film, on the soundtrack, and as a B-side to Barbra’s single “Comin’ In And Out Of Your Life” from her 1981 hits album Memories. The soundtrack album has sold more than 15 million copies worldwide, and Memories did well with over 10,000,000 in sales worldwide, earning Russell loads of money in royalties as a songwriter. From Leon Russell Superstar in a Masquerade

I love knowing that Barbra Streisand collaborated with Leon and I love hearing him play the piano. I wish I had a photo of the two of them. One day, it would be my dream to chat with her about it.

A small anecdote about my six degrees connection to Barbra Streisand is that I once met and had lunch on set with her husband, James Brolin, when he did some filming locally. He was SUPER nice and welcoming. It was a special day and if you’re wondering, he’s even more handsome up close.

P.S. And did you know that Streisand’s co-star in A Star is Born, Kris Kristofferson, was married to Rita Coolidge, who was once upon a time Leon Russell’s girlfriend? Leon’s song, Delta Lady, was written about her. Cool info, huh?

Leon Russell, Master of Space and Time. Rest in Peace, Power, and Music

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Today is the anniversary of Leon’s death, November 13, 2016.

Here’s where it began — Leon was sixteen years old in this KOTV photo from the 1958 March of Dimes Telethon. Left to right, Tommy Crook, drummer Chuck Blackwell, Jimmy ‘Junior’ Markham, Bill Raffensperger and (Leon) Claude Russell Bridges.

From Tulsa Today

Leon Russell will always be the one and only visionary and musical magician, The Master of Space and Time, and we’re still mourning him.

A Song For You is one of the most beautiful and iconic songs ever composed and no one can perform it like Leon.

Rest in peace, power, and music.

Mad Dogs and Englishmen

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Mad Dogs and Englishmen, the 1971 concert film mostly about a Joe Cocker tour, was just released on YouTube. The timing of this release coincides with Joe Cocker being inducted into the Rock and Roll Hall of Fame on Saturday.

Joe Cocker was an English singer who rose to fame in the 1960s after his performance at Woodstock. Known for his distinctive voice and dynamic stage presence, Cocker was a gifted interpreter of other artists’ work. His cover of the Beatles’ “With a Little Help from My Friends” at Woodstock became his signature song and an anthem of the era. Cocker’s other notable covers include “Feelin’ Alright”, “The Letter”, and Leon Russell’s “Delta Lady”.

Leon of course

Joe Cocker’s management had organized a tour of the U.S. for him but he was left without a band. His producer at A&M records was Denny Cordell, who happened to be starting his own label with Leon Russell called Shelter Records.

Cordell and Cocker asked Leon to assemble a band for the tour, and Leon agreed only if they could do it like no one had done before.

Through his many connections to outstanding musicians through thousands of studio sessions with the Wrecking Crew, Leon was quickly able to gather together an ensemble of more than twenty musicians, including three drummers, and a backing choir. Leon was the lead guitarist, pianist, arranger, band leader, and musical director. 

 Leon said, “I will put together the band and I’ll do the arrangements and I’ll do everything but I have to be driving this bus. Nothing will go on unless I say so.” https://musicdayz.com/

Leon also insisted that a camera crew follow the tour, which became the Mad Dogs and Englishmen documentary film, one of the essential rock n roll films that depicted that era of music.

It became the Leon Russell show because his powerful charisma was undeniable.

From musician Chris Stainton, “I admire Leon Russell so much. He’s an exquisite piano player, especially in that Louisiana style. He was so hot then, at the top of his playing ability. When Leon played piano, I’d play organ, and then I’d switch to piano when Leon took over on guitar.”

The tour would become legendary and the ensuing live album would reach #2 on the U.S. Billboard Top 200. Performances of The Band’s “The Weight,” Traffic’s “Feelin’ Alright,” and The Box Tops’ “The Letter” highlighted the setlist that was capped off by a wild and rousing rendition of Leon’s own “Delta Lady.” Leon and Joe would duet on their version of Bob Dylan’s “Girl from the North Country.”

The tour served as an opportunity for Leon to showcase his own material, as he would be given stage time to perform “Hummingbird” and “Dixie Lullaby,” which were both to be released on his debut album. 

Mad Dogs and Englishmen introduced Leon to the world. Although headlined by Joe Cocker, it wouldn’t have been possible without the visionary genius of Leon Russell as Master of Space and Time.

While the tour catapulted both Leon and Cocker into the pinnacles of rock n roll stature, the magnitude served as a rift between the two of them, and they would choose to pursue their careers separately from that point forward.

To this day, however, the two will be forever connected as having orchestrated one of the great happenings in the history of rock music. (From LeonRussell.com)

My favorite part starts at 4:03 and it’s Leon taking charge just being Leon and leading Will The Circle Be Unbroken.

I don’t know who owns the rights to the rest of the video, but there reallyreally needs to be another documentary, this time showcasing Leon Russell’s live performances, including Hummingbird, Dixie Lullaby, and the duet with Joe Cocker of Dylan’s Girl From The North Country, along with Leon’s amazing arrangement of Cry Me A River.

Here’s the duet:


Day After Day

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“Day After Day” was Badfinger’s biggest hit.

George Harrison invited Leon Russell to play piano on Badfinger’s third album in the summer of 1971. The piano part complemented Pete Ham’s and Harrison’s dual slide guitars on “Day After Day.” (Church Studio)

I always loved the way the piano sounded on this tune and when I found out that it was Leon I was blown away. It’s like so many songs I’ve loved over the years only to discover that Leon’s contribution was the magic that made them so memorable.

“He just sat down, closed his eyes, and played the part in one take.”

According to sound engineer Richard Lush, Russell nailed the “Day After Day” piano line almost instinctively.

I’m repeating a comment from YouTube about this recording. “George Harrison asked Leon Russell to add the piano accompaniment. They played the tracks that had already been laid down, as Leon sat in the studio by himself. After listening to it once, he sat at the piano with his eyes closed. George thought he had fallen asleep and said Leon’s name a couple of times over the speaker. Leon held his hand up and then a moment later told them he was ready and to roll tape. He played the part in one take. Don’t know if it’s true, but a cool story.”

Russell – like so many greats – had an almost spiritual sense for when not to play, and on “Day After Day” he seems to materialize only at the emotional inflection points. He doesn’t play on the piece – he haunts it, and once done, disappears from the song again like incense in a draught. He is a spectral presence, and this plays on my imagination as a strange portent for the tragedy that would befall Badfinger the band. https://danegiraud.substack.com/

Of course it’s true. I’m not at all surprised. Leon was a visionary, a musical genius, and will always and forever be the master of space and time.

PS I know there was a tragic end to Badfinger but this isn’t an exposé, just another example of the hundreds of songs that were all the better because of Leon Russell’s magic touch.

Leon Russell and The Rolling Stones

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Did you know that the Master of Space and Time had a long association with The Rolling Stones? He arranged and played on many of their songs, as well as performed covers that I feel were superior to the Stones in every way, but then, I’m totally biased.

Photo found on Insta

Here’s a few examples:

I’m pretty sure that’s Leon counting 1-2-3.

Leon also provided piano and horn arrangements. You can always tell it’s Leon by his signature glissandos.

Here’s an early version of Wild Horses with Leon Russell on the organ during a session for Sticky Fingers 12/04/1969-70.

And my favorite version of Wild Horses by Leon on Stop All That Jazz.

Leon referred to himself as a blues hound. In one interview, he said some musicians he worked with suffered from “jazz damage”. When Leon Russell referred to “jazz damage”, he was jokingly expressing his concern about music producer Tommy LiPuma’s extensive work with smooth, commercialized jazz artists and how that might have diminished his feel for blues and rock. 

Here’s more:

In a 2014 interview about his album Life Journey, Russell recalled telling producer Tommy LiPuma, “I was concerned he might have jazz damage.” His reasoning was that LiPuma had previously produced successful records for jazz-pop artists like George Benson, Diana Krall, and Natalie Cole, which Russell saw as a departure from the grittier, blues-based music he favored. 

His comment was not a condemnation of jazz as a whole but rather a witty, playful remark referencing his own background. LiPuma proved Russell’s fear was unfounded. The two had a productive collaboration and Leon happily noted that LiPuma was an “old blues hound like me, which was great”. 

Happy Friday!

Earworm, Courtesy of Leon Russell

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Because both of the Angel Kids’ eyes literally roll back in their heads when I make them listen to Leon Russell music, I found a slightly obscure song called “Too Much Monkey Business”. It’s more spoken than sung, like a precursor to rap music, and was written by Chuck Berry in 1956.

I played it and the Angels started singing along, as it’s a very catchy tune. I’d call out “How much monkey business” and they’d respond, “Too much monkey business!”

This song is totally earworm-worthy because they couldn’t stop singing it to themselves. All day long, during breakfast and helping to organize their books so we could donate some, I heard them quietly repeat “too much monkey business”, or “too much for me to be involved in.”

I said, “Cool song, huh?” as I planned my final move in my neverending quest to make them love Leon as much as I do.

When we sat on the sofa together after dinner playing card games, I asked Siri to play “Too Much Monkey Business” by Leon Russell and AB said, “Wait, that was LEON? It didn’t sound like him!” I replied, “That was my little joke. You had no idea you were singing one of his songs hahahahaha!”

Too late to stop it from happening; the lyrics are firmly embedded in their brains. They changed the words to: “How much Grandma business?” and “Too much Grandma business.”

They grudgingly agreed it was GOOD but asked me to pleasepleaseplease stop dancing because I was embarrassing them. I can only imagine the many ways I’ll be an embarrassment when they’re teenagers. It’s a rite of passage. They can ask their dad for confirmation.

Those kids are uber funny but I won. They’re now listening to and appreciating the Master of Space and Time–in spite of themselves. My work here is done.

Runnin’ to and fro, hard workin’ at the mill
Never failed in the mail, yet come a rotten bill
Too much monkey business, too much monkey business
Too much monkey business for me to be involved in

Salesman talking to me tryin’ to run me up a creek
Say, “You can buy it, go on, try it, you can pay me next week” ah
Too much monkey business, too much monkey business
Too much monkey business for me to be involved in

Blonde-haired, good lookin’ tryin’ to get me hooked
Want me to marry, get a home, settle down, write a book, ha
Too much monkey business, too much monkey business
Too much monkey business for me to be involved in

Same thing every day, gettin’ up, goin’ to school
No need to be complainin’, my objections overruled, ah
Too much monkey business, too much monkey business
Too much monkey business for me to be involved in

Payphone, somethin’ wrong, dime gone, will mail
I ought to sue the operator for tellin’ me a tale, ah
Too much monkey business, too much monkey business
Too much monkey business for me to be involved in

I been to Yokohama, been fightin’ in the war
Army bunk, army chow, army clothes, army car, ah
Too much monkey business, too much monkey business
Too much monkey business for me to be involved in

Workin’ in the fillin’ station, too many tasks
Wipe the windows, check the tires, check the oil, dollar gas, ah
Too much monkey business, too much monkey business
I don’t want your botheration, get away, leave me be

Too much monkey business for me

More Leon Russell, This Time With JJ Cale

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I love it when someone sends pictures of Leon that I hadn’t previously seen. These photos were taken in Detroit; the one on the left was at the Eastown Theater (1970) and on the right, Cobo Arena in 1972.

Ron Domilici  Cobo Arena photo by Charlie Auringer.·Magic bag

One of the most truly amazing live performances took place at Leon’s Paradise Studios in 1979. All the musicians are incredible, but it features Leon’s long-time friend and colleague, JJ Cale. The sole female guitarist is Christine Lakeland Cale, JJ’s wife.

Grammy winner, legendary singer, songwriter, and musician J.J. Cale (born John Weldon Cale,1938–2013) was one of the originators of the distinctive Tulsa Sound. He is most famous for writing songs popularized by others, including Eric Clapton’s hits “Cocaine” and “After Midnight” and Lynyrd Skynyrd’s “Call Me the Breeze”. Known for his laid-back, blues-rock style, Cale also pioneered the use of drum machines and produced his own records, engineering his own distinctive sound. He was also one of Leon Russell’s engineers in the 1960s.

Check out Leon on the drums!

PS There’s an album/dvd of that session but I haven’t found it available for purchase. JJ. Cale featuring Leon Russell – In Session at the Paradise Studios, L.A. 1979 [DVD] If anybody has one, please let me know! I’d love to own it.

When You Comin’ Back, Red Ryder…More Leon Russell

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“Yeah, I know with the help of the good God, and an artificially induced religious experience, I think it’s gonna be all right.” 

Photo credit, found on Pinterest

The Master of Space and Time’s churchy, rolling piano and drawling vocals, his zealous evangelical outpouring of energy from the stage made his concerts, as Russell put it, “an artificially induced religious experience.”

Leon was offered an off-camera role in the film, “When You Comin’ Back, Red Ryder”, as Reverend Duane Hindley, a radio preacher broadcasting from Del Rio, Texas.

He’s heard in the scene with Peter Firth as Stephen “Red” Ryder and Audra Lindley (remember Three’s Company?) as Ceil Ryder, Red’s mother.

Leon later revealed he read that religious rant, (he wrote it), in the style of Asa A. (A.A.) Allen, a 1960s American Pentacostal evangelist known for his “Voice of Healing.”

Listen closely to hear Leon say, “Feel the power,” “count your blessings,” and “encounters with the Devil.”

I thought this was a pretty cool discovery about Leon Russell. He could have had another career as a fire and brimstone preacher.

I’d definitely attend the Church of Leon. I believe!