“Tomorrow I’ll Be Gone” is an unreleased 1966 track widely attributed to a collaboration between Leon Russell and legendary music producer Snuff Garrett.
This specific 1966 recording has circulated among deep-cut collectors and music historians—often appearing on rare bootlegs or historical archival threads labeled as an “Unknown Artist” fronting a track arranged or written by Russell and Garrett. Because it was never given an official studio release by a major label, it remains a rare piece of rock-and-roll history.
I’d Rathe Be Blind is a blues song written, composed, and produced by LeonRussell, recorded by legendary blues guitarist and singer FreddieKing with Leon on piano.
(This is not the same as “I’d Rather Go Blind” by Etta Jamea.)
Image from Church Studio
Freddie’s voice is as distinctive as Leon’s.
When I saw Leon in concert, he was with Freddie King. It was memorable, that’s for sure.
Was there anyone Leon did NOT work with? I think not. This time it was Aretha Franklin.
Check out this treasure from 1964 when Leon Russell was the featured house pianist for the TV show, Shindig.
This time, he’s right there with Aretha Franklin, and once again, this is Leon with short hair, no beard, and no sunglasses, but he’s still and always the Master of Space and TIme.
The two shared a mutual professional history: Leon Russell played piano on early sessions for Franklin at Columbia Records (including a string arrangement of “Am I Blue?”), and Franklin later recorded a renowned cover of Russell’s classic ballad, “A Song for You”.
Before the collaboration with Aretha on Shindig, word got around about the skinny kid from Oklahoma who played the piano like nobody else, and producers and arrangers booked him for their sessions as soon as he turned twenty-one and was able to join the union. Among them was Robert Mersey who had Russell on several, including this pair of songs for Aretha Franklin in 1963. Thanks to Leon Russell Superstar in a Masquerade
I’ve been waiting…..for the great relief of having you to talk to...
Pain is a crazy thing; it has a life of its own, it takes over every minute of every day, and that’s all you can think of — it’s like oceans of pain with no relief.
Anyway, stubborn me finally called the doc to tell her I had shingles. She immediately called in a prescription for an anti-viral. She said I’m a bit outside of the 72 hour window for it to be totally effective, but she hoped it would still work to relieve the intense burning and stabbing pain and shorten the duration of this cycle of hell.
I can’t get comfortable, I can’t lie on my back or my right side and sitting is also excruciating, so I’ve given up attempting to find the least tortuous position. I’m sick of watching TV, too. Sleep is elusive because I can’t get comfortable.
Awake at 3am, these lyrics were swirling around in my delirious brain…“darling, be home soon…”
I couldn’t remember what song it came from, so I opened my computer and searched. I learned that it was originally written and performed by John Sebastian of the Lovin’ Spoonful for the soundtrack of Francis Ford Coppola’s film You’re a Big Boy Now, and another version included in the Mad Dogs and Englishmen tour.
Not only was our magical Leon Russell a brilliant songwriter, composer, pianist, and singer, his arranging skills were off the chart.
Here’s the original of Darling Be Home Soon by the Lovin’ Spoonful and the Leon Russell version with Joe Cocker of the Mad Dogs and Englishmen tour.
Bonus! Master of Space and Time, Leon Russell, on guitar. You beauty!
They lyrics are quite poignant and as beautiful now as they were in the 60s…
Come and talk of all the things we did today Here and laugh about our funny little ways While we have a few minutes to breathe And I know that it’s time you must leave
But darling be home soon I couldn’t bear to wait an extra minute if you dawdled My darling be home soon It’s not just these few hours but I’ve been waiting since I toddled For the great relief of having you to talk to
And now, a quarter of my life is almost passed I think I’ve come to see myself at last And I see that the time spent confused Was the time that I spent without you And I feel myself in gloom
So darling be home soon I couldn’t bear to wait an extra minute if you dawdled My darling be home soon It’s not just these few hours but I’ve been waiting since I toddled For the great relief of having you to talk to
So darling… My darling be home soon I couldn’t bear to wait an extra minute if you dawdled My darling be home soon It’s not just these few hours but I’ve been waiting since I toddled For the great relief of having you to talk to
Go and beat your crazy head against the sky Try and see beyond the houses and your eyes It’s OK to shoot the moon
Darling be home soon I couldn’t bear to wait an extra minute if you dawdled My darling be home soon It’s not just these few hours but I’ve been waiting since I toddled For the great relief of having you to talk to
I possess an endless fascination and curiosity about how someone can change so drastically from being an anonymous, quiet, shy, piano player behind the scenes on hundreds of songs — to the persona that emerged and developed into the magical Master of Space and Time, Leon Russell.
I wish I could have asked him how it happened, how he shifted from one to the other, but sadly, I’ll never get the chance, so I continue to marvel at his drastic transformation.
In 1959, he was still Claude Russell Bridges; he hadn’t yet metamorphosed into the uber cool bearded musician with long hair and those iconic sunglasses, but the talent was there. Long before he became Leon Russell and had massively successful career as a solo artist, he was still a musical genius.
Leon was only about fourteen when he formed The Starlighters in the mid-1950s. He and the other band members attended Will Rogers High School in Tulsa, Oklahoma.
This is a photo of the Starlighters at the Tropicana Club, 1959. Left to right: Leo Feathers, Chuck Blackwell, Ron Ryan, Johnny Williams, and Russell Bridges wearing glasses.
A promoter at Cain’s Ballroom in Tulsa hired the Starlighters to back Jerry Lee Lewis at an upcoming show.
After the Starlighters’ first warm-up set, Lewis came up onto the bandstand, pointed at seventeen-year-old Leon, and declared, ”I’m not gonna set down at that piano. He plays a lot better piano than I do!” Lewis immediately hired the band to back him on a tour. (Courtesy of the OKPOP Museum)
Leon produced this record when he was seventeen. I’m blown away by his piano mastery; he was definitely destined for greatness.
Amy Lee Nelson and Tina Rose Bridges, the daughters of Willie Nelson and Leon Russell, have officially joined forces to create a brand new duo, ALeeN ROSE.
Their debut single, “They’re There” features music icon Willie Nelson. According to PEOPLE, he wrote the song’s bridge, played guitar, and lent his unmistakable vocals. “Now it’s a full-on family song, as it should be,” Amy said.
The song is a loving tribute to Amy’s late brother Billy Nelson who died in 1991 and Tina Rose’s father, Leon Russell. Leon died in 2016.
“In my dreams, my daddy tells me stories / Of all the things I can do and who I could be / He takes my hand / says understand you’re still beside me/ I’m not gone/ We are waltzing inside this dream,” Tina Rose sings on her verse.
This is a sweet and beautiful song that honors their spirits and the memories that continue to guide them through life.
“Tina Rose called me one evening during lockdown and we spoke about the feelings of loss surrounding the death of her dad,” Amy Lee Nelson recalls, “I told her how I’ve found myself often saying ‘they’re there’ when speaking of loved ones who have passed. I shared with her a song that I had begun writing after having dream visions of my brother, Billy.”
She continues, “I asked her to write the second verse as a healing outlet for her pain and grief. I was blown away by the verse she brought back to me. But it still wasn’t finished and we weren’t sure where to take it. We asked my dad for help, and so he wrote the bridge. Now it is a full-on family song, as it should be.”
Willie Nelson and Leon Russell are two of the best and most individual songwriters and vocalists in any musical genre. Leon Russell was a musician, songwriter, and arranger who had been a first-call session man and producer even longer than he had been known as an individual performer.
In 1979, Willie Nelson and Leon Russell released their chart-topping double album, One for the Road. Although One for the Road is their only joint album, the two continued to perform together on stage over the years.
News of ALeeN ROSE’s “They’re There” release comes soon after Willie Nelson’s son, Lukas Nelson, performed a cover of Leon Russell’s “A Song for You” at Cain’s Ballroom in Oklahoma. The track’s release also coincides with what would have been Billy Nelson’s 68th birthday.
As you listen to “They’re There”, the respect and love is truly inspirational.
It oozes with generational talent. Their ability to translate feelings into a musical format is genuine and authentic. What an amazing way to carry on the legacy of two musical giants. I just know that Leon Russell would be so proud of Tina Rose.
I discovered yet another talented musician who had Leon’s magic umami sprinkled onto his songs.
This time it’s Dave Mason, founding member of the rock band, Traffic, who recently passed away on April 19.
As he was forming his own public persona as a solo artist, Leon Russell continued to collaborate with other musicians.
As I re-listen to these Dave Mason songs, I can now detect Leon’s contributions; always distinctive, always the secret ingredient, the umami that enhanced the flavor of every melody and arrangement.
In my opinion, he was meant to be on center stage, never in the background and anonymous.
Special thanks to Leon Russell Superstar in a Masquerade. His YouTube channel is an encyclopedia about the Master of Space and Time. Featured photo curated from Pinterest.
I’m not sure I really liked this song when it first came out; perhaps it was a bit too “country” for this little hippie rocker chick, along with “Rhinestone Cowboy”, but the lyrics and melody stood the test of time, and then there’s LEON, or as he was known back then, Claude Russell Bridges.
I had no idea he was the pianist on this recording; another magical moment from the Master of Space and Time, the secret ingredient.
Here’s another version from 1983. They made a great team, part of the famous Wrecking Crew of first call studio musicians in Los Angeles during the 1960’s. I could watch his fingers on the piano all day every day.
Did you attend a #NoKings event in your area? In my little beachy town, I heard there were 15,000+ attendees, which is amazing. I wish I could have been there but I wasn’t feeling great; hopefully it’s just seasonal allergies and nothing more serious, so I didn’t go this time.
I still can’t wrap my head around where we are in this country; how our liberties are being decimated and the rights of women are becoming more and more non-existent, almost to the brutal point of Sharia Law extremism, and there doesn’t seem to be a solution or an end to the loss of democracy–or any adherence to the rule of law.
Even though I’m not at all mainstream religious and never have been, there’s a certain yearning to search for a rational reason to explain a deep sense of foreboding and the meaning of this unholy collective evil, like why is this universal dark night of the soul happening NOW? Is Wetikoan answer to the question?
So… it’s time for a little Leon Russell. If you know, you know.
One does not simply “listen to” or “hear” Leon’s music, it’s something you FEEL, deep in your soul on a cellular level. And THAT is the essence of faith, right?
He is SO beautiful…those eyes! The camera certainly loves him, too… the closeups are so CLOSE, lol.
I’m trying not to react to current events and news reports and instead surround myself with positivity and joy. What shines more light than love?
Leon Russell and New Grass Revival – The Live Album is AMAZING. It was recorded live at Perkins Palace, Pasadena, CA. on May 15, 1980 by Paradise Records and Paradise Video (all Leon productions.)
The beauty of this man.
Performing with New Grass Revival. Photo by Steve Kahn via Pinterest
Enchanted Seashells | Princess Rosebud 