Early Leon Russell: “All Right”

I possess an endless fascination and curiosity about how someone can change so drastically from being a quiet, shy, piano player to the persona that became the Master of Space and Time, Leon Russell. I wish I could have asked him how it happened, how he emerged from one to the other, but sadly, I’ll never get the chance, so I continue to marvel at his drastic transformation.

In 1959, he was still Claude Russell Bridges; he hadn’t yet metamorphosed into the uber cool musician with long hair, a beard, and those iconic sunglasses, but the talent was there. Long before he became Leon Russell and had massively successful career as a solo artist, he was still a musical genius.

Leon was only about fourteen when he formed The Starlighters in the mid-1950s. He and the other band members attended Will Rogers High School in Tulsa, Oklahoma.

This is a photo of the Starlighters at the Tropicana Club, 1959. Left to right: Leo Feathers, Chuck Blackwell, Ron Ryan, Johnny Williams, and Russell Bridges wearing glasses.

A promoter at Cain’s Ballroom in Tulsa hired the Starlighters to back Jerry Lee Lewis at an upcoming show.

After the Starlighters’ first warm-up set, Lewis came up onto the bandstand, pointed at seventeen-year-old Leon, and declared, ”I’m not gonna set down at that piano. He plays a lot better piano than I do!” Lewis immediately hired the band to back him on a tour. (Courtesy of the OKPOP Museum)

Leon produced this record when he was seventeen. I’m blown away by his piano mastery; he was definitely destined for greatness.

Swanee River, too.

Generational Talent: Amy Lee Nelson and Tina Rose Bridges

Amy Lee Nelson and Tina Rose Bridges, the daughters of Willie Nelson and Leon Russell, have officially joined forces to create a brand new duo, ALeeN ROSE.

Their debut single, “They’re There” features music icon Willie Nelson. According to PEOPLE, he wrote the song’s bridge, played guitar, and lent his unmistakable vocals. “Now it’s a full-on family song, as it should be,” Amy said.

The song is a loving tribute to Amy’s late brother Billy Nelson who died in 1991 and Tina Rose’s father, Leon Russell. Leon died in 2016.

“In my dreams, my daddy tells me stories / Of all the things I can do and who I could be / He takes my hand / says understand you’re still beside me/ I’m not gone/ We are waltzing inside this dream,” Tina Rose sings on her verse.

This is a sweet and beautiful song that honors their spirits and the memories that continue to guide them through life.

“Tina Rose called me one evening during lockdown and we spoke about the feelings of loss surrounding the death of her dad,” Amy Lee Nelson recalls, “I told her how I’ve found myself often saying ‘they’re there’ when speaking of loved ones who have passed. I shared with her a song that I had begun writing after having dream visions of my brother, Billy.”

She continues, “I asked her to write the second verse as a healing outlet for her pain and grief. I was blown away by the verse she brought back to me. But it still wasn’t finished and we weren’t sure where to take it. We asked my dad for help, and so he wrote the bridge. Now it is a full-on family song, as it should be.”

Willie Nelson and Leon Russell are two of the best and most individual songwriters and vocalists in any musical genre. Leon Russell was a musician, songwriter, and arranger who had been a first-call session man and producer even longer than he had been known as an individual performer.

In 1979, Willie Nelson and Leon Russell released their chart-topping double album, One for the Road. Although One for the Road is their only joint album, the two continued to perform together on stage over the years.

News of ALeeN ROSE’s “They’re There” release comes soon after Willie Nelson’s son, Lukas Nelson, performed a cover of Leon Russell’s “A Song for You” at Cain’s Ballroom in Oklahoma. The track’s release also coincides with what would have been Billy Nelson’s 68th birthday.

As you listen to “They’re There”, the respect and love is truly inspirational.

It oozes with generational talent. Their ability to translate feelings into a musical format is genuine and authentic. What an amazing way to carry on the legacy of two musical giants. I just know that Leon Russell would be so proud of Tina Rose.

Some content curated from internet sources.

All Roads Lead To…Leon Russell

I discovered yet another talented musician who had Leon’s magic umami sprinkled onto his songs.

This time it’s Dave Mason, founding member of the rock band, Traffic, who recently passed away on April 19.

As he was forming his own public persona as a solo artist, Leon Russell continued to collaborate with other musicians.

As I re-listen to these Dave Mason songs, I can now detect Leon’s contributions; always distinctive, always the secret ingredient, the umami that enhanced the flavor of every melody and arrangement.

In my opinion, he was meant to be on center stage, never in the background and anonymous.

Special thanks to Leon Russell Superstar in a Masquerade. His YouTube channel is an encyclopedia about the Master of Space and Time.
Featured photo curated from Pinterest.

Gentle on My Mind: Leon Russell and Glen Campbell

I’m not sure I really liked this song when it first came out; perhaps it was a bit too “country” for this little hippie rocker chick, along with “Rhinestone Cowboy”, but the lyrics and melody stood the test of time, and then there’s LEON, or as he was known back then, Claude Russell Bridges.

I had no idea he was the pianist on this recording; another magical moment from the Master of Space and Time, the secret ingredient.

Here’s another version from 1983. They made a great team, part of the famous Wrecking Crew of first call studio musicians in Los Angeles during the 1960’s. I could watch his fingers on the piano all day every day.

Thanks to Steve Liddycoat, we can enjoy the complete video, too: https://youtu.be/fNtxlKmNUFk?si=pY3XU1bDqjV785s7

Feature image by Sean Mcdowell

For These Apocalyptical Times: Amazing Grace | Leon Russell

Did you attend a #NoKings event in your area? In my little beachy town, I heard there were 15,000+ attendees, which is amazing. I wish I could have been there but I wasn’t feeling great; hopefully it’s just seasonal allergies and nothing more serious, so I didn’t go this time.

I still can’t wrap my head around where we are in this country; how our liberties are being decimated and the rights of women are becoming more and more non-existent, almost to the brutal point of Sharia Law extremism, and there doesn’t seem to be a solution or an end to the loss of democracy–or any adherence to the rule of law.

Even though I’m not at all mainstream religious and never have been, there’s a certain yearning to search for a rational reason to explain a deep sense of foreboding and the meaning of this unholy collective evil, like why is this universal dark night of the soul happening NOW? Is Wetiko an answer to the question?

So… it’s time for a little Leon Russell. If you know, you know.

One does not simply “listen to” or “hear” Leon’s music, it’s something you FEEL, deep in your soul on a cellular level. And THAT is the essence of faith, right?

He is SO beautiful…those eyes! The camera certainly loves him, too… the closeups are so CLOSE, lol.

One More Love Song

I’m trying not to react to current events and news reports and instead surround myself with positivity and joy. What shines more light than love?

Leon Russell and New Grass Revival – The Live Album is AMAZING. It was recorded live at Perkins Palace, Pasadena, CA. on May 15, 1980 by Paradise Records and Paradise Video (all Leon productions.)

The beauty of this man.

Performing with New Grass Revival.
Photo by Steve Kahn via Pinterest

Leon Russell and Eric Clapton

I’m forever and also at the same time NEVER surprised to discover the depths of Leon’s talents.

Eric Clapton popularized J.J. Cale’s songs, After Midnight and Cocaine. I happen to like J.J.’s versions better, but it’s fascinating to learn that so many great musicians collaborated.

From YouTube channel, Leon Russell Superstar in a Masquerade: Leon Russell’s first solo album in 1970 was long-overdue. He’d been making records as far back as 1957 in Oklahoma with schoolmate David Gates. He moved to Hollywood, where he spread his chops over more records by other artists than believable, and made more singles of his own, but none reached the public’s attention as he’d hoped.

His meeting up with Joe Cocker and Denny Cordell and putting together Joe’s band for the Mad Dogs & Englishmen tour in spring 1970 was timed beautifully with the release of his own solo album on his and Denny’s Shelter label, THAT began his launch into stardom!

From tapes that rolled in September and October 1969, here is a jam with Leon and Eric Clapton, simply titled “Jammin With Eric.” It appeared on the 1995 DCC 24 Karat Gold edition of Leon Russell, and again on the 2002 Hi-Res DVD Audio release of that album.

Image from Pinterest, credit to owner.

My Encounter With a Rock and Roll Superstar…And How It All Leads Back To The Master of Space and Time, Leon Russell

UPDATE 2026: Here’s yet another missed opportunity to meet the MOSAT. This is an update to a post I wrote in 2020. I was purging old posts, read this one, and have no idea how I missed the connection between Tom Petty’s guitarist and Leon Russell, but I did, and now that I know, I’m going to contact him and hopehopehope he’ll be amenable to sharing stories about Leon and not be too annoyed with my LR obsession.

Ron Blair, the original bassist for Tom Petty and the Heartbreakers, has a direct connection to Leon Russell through the band’s early career and record label, Shelter Records.

Leon Russell’s Shelter Records was the platform that signed and released the early music of Tom Petty and the Heartbreakers, featuring Ron on bass. 

In the mid-1970s, Tom Petty signed with Shelter Records, a label co-owned by Leon Russell and Denny Cordell.

Ron Blair joined the Heartbreakers in 1976 after Mudcrutch (Petty’s previous band) disbanded. During this period, the band was under the Shelter Records umbrella, which Russell founded.

Before forming the Heartbreakers, members of the group, including those who worked with Blair, were part of the Los Angeles music scene where Leon Russell was a prominent figure. Ron Blair was the bassist for the band from 1976 to 1981, during which time the band established its sound, often described as a mix of rock, country, and blues. 

Original post…

I just saw an old video of Tom Petty and the Heartbreakers and it reminded me of something from my past.

When my son was around eight or ten years old (early 1990s), I’d bring him along with me to the gym and he’d go (reluctantly) to the babysitting room for an hour or so. It was mostly other doubledigiters so he didn’t have a real problem with it, and eventually became friendly with a boy about the same age.

Their friendship progressed beyond the gym to birthdays and sleepovers. For a while, these two boys were inseparable.

One day, out of the blue, and I’m a bit fuzzy on the details, the boy’s dad asked if I could give him a ride to LAX. It’s a ninety minute drive and I’m not sure why I said yes ‘cos I seriously HATE to drive, especially if it involves LA traffic, but I loaded the boys and the dad (along with his guitar) in my car.

I can’t pinpoint the exact moment when I learned that his dad was actually superstar guitarist Ron Blair of Tom Petty and the Heartbreakers, but when I did, I was suitably impressed and starstruck. All I do remember is that he was always quiet but courteous and appreciated the airport ride. However, he looked EVERY bit a rock and roll superstar.

A couple weeks pre-Covid, a friend invited me to a fundraiser for the local food bank. It was an outdoor venue with a lot of musical guests. The headliner’s name was a familiar one. Lo and behold,  it was Ron Blair, who now lives in my little town.

We chatted a bit; I can’t honestly say that he remembered me, but he did remember my son which was cool.

Still quiet, humble, friendly, and amazingly talented.

We’ve all aged and I’m obviously way too old to be a groupie (sigh), but I do remember THOSE good old days, haha.

 

Piano Wizardry by Leon Russell: The Master of Space and Time

OMG just listen to Leon’s piano magic…it’s spellbinding.

Leon Russell’s relationship with Delaney Bramlett had been quite productive. They’d worked together on demos for Metric music in the early 60s and recorded solo material for Delaney in 1964 with Jackie De Shannon and Billy Strange.

After his stint as a Shindog on Shindig!, Delaney met Bonnie which led to one of music’s legendary duos, Delaney & Bonnie. After some recording sessions in Hollywood for release on the Independence label, the duo got involved with Don Nix in Memphis, who’d been working with Leon Russell in the studio for Gary Lewis & The Playboys. Don got them on the soulful Stax label and their album Delany & Bonnie Home was made.

Credit to Leon Russell Superstar in a Masquerade — Photo from Pinterest

Leon Russell Memories by Ann Bell, The Queen of Tulsa Sound

The “Queen of the Tulsa Sound” is Ann Bell, a pioneering vocalist and performer instrumental in defining the unique musical style known as the Tulsa Sound alongside legends like Leon Russell, the one and only Master of Space and Time, and J.J. Cale.

Inducted into the Oklahoma Music Hall of Fame, Bell’s distinctive voice and deep involvement with the scene earned her that title for her significant contributions and ongoing legacy.

As a backup singer for the original Joe Cocker and Leon Russell Mad Dogs & Englishmen tour and album, she was an important part of the band and is remembered for her contributions to the “Tulsa sound” that Leon Russell helped create. She has also participated in reunion and tribute events in the years since.

I never get tired of hearing this story. I surely wish there was a recording of Leon that night….

Ann is one of the very talented backup singers here (wearing an awesome outfit), along with the GAP Band. I love this comment: “No matter how cool you think you or your band is, you will NEVER be as cool as Leon Russell and the Gap Band doing this Marvin Gaye classic.”

Sunglasses off, shirt open, those EYES...”Wait now. WAIT!” So much Leon joy…

Recorded for the TV show, Midnight Special with Wolfman Jack, “Ain’t That Peculiar” is a classic Motown song originally by Marvin Gaye, but Leon Russell turned it into something spectacular with his signature energetic performance. Watch the entire show here: https://youtu.be/19z9JSaTm8c?si=n96fSGGrQxQuer2R