Tag Archives: rock

Lost Inside of You

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Did you know that Leon Russell wrote “Lost Inside of You” with the one and only Barbra Streisand? The hit song was recorded for the movie, A Star is Born, and that’s Leon on the soundtrack. He will forever be the one and only Master of Space and Time, a musical, visionary genius.

Barbra Streisand took on the lead female role of Esther Hoffman in the 1976 remake of the 1954 film A Star Is Born, opposite Kris Kristofferson as John Norman Howard, an aging singer engulfed by excesses and demons.

Howard’s road manager was portrayed by Gary Busey, a friend of and drummer for (as Teddy Jack Eddy) Leon Russell. Busey introduced Barbra to Leon, and while at her Malibu ranch, Barbra and Leon wrote “Lost Inside of You”.

It was included in the film, on the soundtrack, and as a B-side to Barbra’s single “Comin’ In And Out Of Your Life” from her 1981 hits album Memories. The soundtrack album has sold more than 15 million copies worldwide, and Memories did well with over 10,000,000 in sales worldwide, earning Russell loads of money in royalties as a songwriter. From Leon Russell Superstar in a Masquerade

I love knowing that Barbra Streisand collaborated with Leon and I love hearing him play the piano. I wish I had a photo of the two of them. One day, it would be my dream to chat with her about it.

A small anecdote about my six degrees connection to Barbra Streisand is that I once met and had lunch on set with her husband, James Brolin, when he did some filming locally. He was SUPER nice and welcoming. It was a special day and if you’re wondering, he’s even more handsome up close.

P.S. And did you know that Streisand’s co-star in A Star is Born, Kris Kristofferson, was married to Rita Coolidge, who was once upon a time Leon Russell’s girlfriend? Leon’s song, Delta Lady, was written about her. Cool info, huh?

An Embarrassment of The Subconscious

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…of what? Of a totally insane dream.

I had a dream that seemed to last forever and here are some snippets that I can actually recall.

Leon Russell

For no apparent rhyme or reason, Leon Russell (yes, I know) was showing me a ballet move called développé à la seconde, which I thought was even more remarkable because he was slightly paralyzed from a birth injury on the side that was attempting the move.

I can’t even begin to explain how or why my mind connected the Master of Space and Time to a difficult dance position, but that’s the beauty of the subconscious, I guess. It doesn’t have to make sense.

When I was involved in ballet, this particular move was a struggle for me to master. I often uttered a silent groan when Madame Kaliskis said it was time for développé because I knew she’d eventually make her way over to me at the barre and watch me until I felt my leg was going to fall off. She’d say “encore” which meant I had to do it again and again, and then she’d hold my leg up where it SHOULD be, and my task was to hold it there, but I never could.

Here’s a vid of how it ought to look; sadly, my extensions were never this perfect no matter how much I practiced.

Anyway…

As soon as Leon finished with his (quite nice, better than mine ever were) développé, the dream became all about me.

I was driving from my house to Catalina Island which is not at all possible as it’s about seventy-five nautical miles from my area and can only be reached by boat or air, but there I was, driving along a very narrow path with water on both sides of me, sometimes lapping up ever so slightly over the road, which totally freaked me out. This wasn’t a fun part of the dream as I was in a constant state of anxiety and vigilance so I wouldn’t miss the road and end up in the ocean.

(It’s only about twenty-six miles from the Los Angeles area, and the song by The Four Preps is accurate). https://youtu.be/1I7zMKptjRs?si=AwM3Vdcb5Y9iIzee

I remember taking the ferry back from Catalina Island but not sure what happened to the car that I drove along the non-existent road to get there. On Catalina, visitors can’t bring their own cars; most people use golf carts or bicycles. Only a very limited number of residents and businesses have vehicle permits and there’s a years-long waiting list for them.

Since I used to work for the (now defunct) company that used to go to Catalina Island from San Diego, it’s not too unusual to dream about it, but the more than four hour-long one way trip was often referred to as the “vomit comet” because, well, you can probably figure out WHY, haha.

I didn’t often accompany passengers over there for that reason, and because I generally get seasick. Ick.

After I was safely back on terra firma, my subconscious decided to go on another exploration of past memories and my often dreamed about kitty, Bandit, returned to snuggle with me in bed. She loved freshly washed flannel sheets as much as I do and we kept each other warm. The dream ended far too soon, along with the feeling of being safe and loved by a purring machine. That morning I had changed the sheets to soft, fragrant flannel ones, so THAT part of the dream fused with reality.

Strange dream, right? I can’t even begin to figure out what it all means, but it really wasn’t embarrassing at all because I’m fascinated with the human mind during different sleep states.

Back To The Island is playing in my head, so here’s the Leon connection, and to reiterate, this song was written and composed by Leon Russell, NOTNOTNOT Jimmy Buffet, and of course, Leon does it better.

And a live version with a couple of his children in the band…https://youtu.be/UXuPT-p3xk4?si=y0Bx361ND_jKT-wg

Leon Russell and The Rolling Stones

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Did you know that the Master of Space and Time had a long association with The Rolling Stones? He arranged and played on many of their songs, as well as performed covers that I feel were superior to the Stones in every way, but then, I’m totally biased.

Photo found on Insta

Here’s a few examples:

I’m pretty sure that’s Leon counting 1-2-3.

Leon also provided piano and horn arrangements. You can always tell it’s Leon by his signature glissandos.

Here’s an early version of Wild Horses with Leon Russell on the organ during a session for Sticky Fingers 12/04/1969-70.

And my favorite version of Wild Horses by Leon on Stop All That Jazz.

Leon referred to himself as a blues hound. In one interview, he said some musicians he worked with suffered from “jazz damage”. When Leon Russell referred to “jazz damage”, he was jokingly expressing his concern about music producer Tommy LiPuma’s extensive work with smooth, commercialized jazz artists and how that might have diminished his feel for blues and rock. 

Here’s more:

In a 2014 interview about his album Life Journey, Russell recalled telling producer Tommy LiPuma, “I was concerned he might have jazz damage.” His reasoning was that LiPuma had previously produced successful records for jazz-pop artists like George Benson, Diana Krall, and Natalie Cole, which Russell saw as a departure from the grittier, blues-based music he favored. 

His comment was not a condemnation of jazz as a whole but rather a witty, playful remark referencing his own background. LiPuma proved Russell’s fear was unfounded. The two had a productive collaboration and Leon happily noted that LiPuma was an “old blues hound like me, which was great”. 

Happy Friday!

Earworm, Courtesy of Leon Russell

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Because both of the Angel Kids’ eyes literally roll back in their heads when I make them listen to Leon Russell music, I found a slightly obscure song called “Too Much Monkey Business”. It’s more spoken than sung, like a precursor to rap music, and was written by Chuck Berry in 1956.

I played it and the Angels started singing along, as it’s a very catchy tune. I’d call out “How much monkey business” and they’d respond, “Too much monkey business!”

This song is totally earworm-worthy because they couldn’t stop singing it to themselves. All day long, during breakfast and helping to organize their books so we could donate some, I heard them quietly repeat “too much monkey business”, or “too much for me to be involved in.”

I said, “Cool song, huh?” as I planned my final move in my neverending quest to make them love Leon as much as I do.

When we sat on the sofa together after dinner playing card games, I asked Siri to play “Too Much Monkey Business” by Leon Russell and AB said, “Wait, that was LEON? It didn’t sound like him!” I replied, “That was my little joke. You had no idea you were singing one of his songs hahahahaha!”

Too late to stop it from happening; the lyrics are firmly embedded in their brains. They changed the words to: “How much Grandma business?” and “Too much Grandma business.”

They grudgingly agreed it was GOOD but asked me to pleasepleaseplease stop dancing because I was embarrassing them. I can only imagine the many ways I’ll be an embarrassment when they’re teenagers. It’s a rite of passage. They can ask their dad for confirmation.

Those kids are uber funny but I won. They’re now listening to and appreciating the Master of Space and Time–in spite of themselves. My work here is done.

Runnin’ to and fro, hard workin’ at the mill
Never failed in the mail, yet come a rotten bill
Too much monkey business, too much monkey business
Too much monkey business for me to be involved in

Salesman talking to me tryin’ to run me up a creek
Say, “You can buy it, go on, try it, you can pay me next week” ah
Too much monkey business, too much monkey business
Too much monkey business for me to be involved in

Blonde-haired, good lookin’ tryin’ to get me hooked
Want me to marry, get a home, settle down, write a book, ha
Too much monkey business, too much monkey business
Too much monkey business for me to be involved in

Same thing every day, gettin’ up, goin’ to school
No need to be complainin’, my objections overruled, ah
Too much monkey business, too much monkey business
Too much monkey business for me to be involved in

Payphone, somethin’ wrong, dime gone, will mail
I ought to sue the operator for tellin’ me a tale, ah
Too much monkey business, too much monkey business
Too much monkey business for me to be involved in

I been to Yokohama, been fightin’ in the war
Army bunk, army chow, army clothes, army car, ah
Too much monkey business, too much monkey business
Too much monkey business for me to be involved in

Workin’ in the fillin’ station, too many tasks
Wipe the windows, check the tires, check the oil, dollar gas, ah
Too much monkey business, too much monkey business
I don’t want your botheration, get away, leave me be

Too much monkey business for me

Goodbye, Brian Wilson: Rest in Peace

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Brian Wilson of the Beach Boys, another musical, magical visionary — gone too soon.

Photo by Wiki

As much as we (I mean ME) believe that Leon Russell was a musical genius, he once said the same of Brian Wilson. He certainly would know as he was his keyboardist on many Beach Boys songs. Leon also praised Wilson’s courage to take risks and find new avenues as an artist. He compared Wilson to Beethoven and other composers, highlighting Wilson’s exceptional musical talent. 

From Leon about Brian: “Brian, on the other hand, was a musical genius. I’ve played with him on records where there’d be 20 musicians in the room sitting around in a huge circle. He’d start at one end and sing the first musician their part, and then go to the second one and sing their part, all the way around the circle, and by the time he got around to the first one they had forgotten their part and he’d do it all again. That’s the way he taught those parts. Amazing.” https://bestclassicbands.com/leon-russell-interview-11-13-16/#google_vignette

Here are some of my favorite Beach Boys songs with contributions by Leon Russell:

Russell Bridges (Leon) on organ

Here is the rare version of “Endless Sleep”, Brian Wilson produced it at Gold Star Studios on February 18, 1964, using his usual Wrecking Crew members for the backing tracks. Included on piano was Leon Russell, who played on at least twenty Beach Boys songs and as many other songs that Brian produced for others, like The Honeys, Paul Peterson, Sharon Marie, Gary Usher and Glen Campbell.

California Girls studio, with Leon (of course)

This is a relatively long and rambling full session of Help Me Rhonda with the Beach Boys (Leon on piano) and their dad, Murray Wilson. Apparently he wasn’t a great dad and the reason Brian was deaf in one ear is because Murray hit him on the side of the head with a piece of wood when he was a boy. It’s even more remarkable that Brian could create such amazing music without stereo hearing.

What I’m Reading: Leon Russell In His Own Words

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“Once in a lifetime across your lifeline crosses an energy like no other. This is Leon Russell to me.”
Gary Busey, musician, actor, long-time friend of the Master of Space and Time.

It’s a sunny and warm November day here in SoCal, a perfect time to sit outside on the deck and read Leon Russell In His Own Words.

It’s not a huge book but any light shed on the mysterious, charismatic, and enigmatic MOSAT is appreciated.

It features memories by and about LR from his childhood, high school bands, session work in Los Angeles, and some of his tours.

I’m always amazed at the sheer numbers of records that benefited from Leon’s words, arrangements, and productions. He was a legendary musician, composer, and performer whose musical influence can’t be overstated.

Leon Russell was a one-of-a-kind human; I don’t think we’re likely to experience that kind of genius in several lifetimes.

This little book was enjoyable and informative; I totally recommend!

Now I’m waiting for my Christmas/Hanukkah gift: another book about Leon Russell ; this one is written by Bill Janovitz: Leon Russell: The Master of Space and Time’s Journey Through Rock & Roll History

Some people simply defy stereotypes: