Mad Dogs and Englishmen

Mad Dogs and Englishmen, the 1971 concert film mostly about a Joe Cocker tour, was just released on YouTube. The timing of this release coincides with Joe Cocker being inducted into the Rock and Roll Hall of Fame on Saturday.

Joe Cocker was an English singer who rose to fame in the 1960s after his performance at Woodstock. Known for his distinctive voice and dynamic stage presence, Cocker was a gifted interpreter of other artists’ work. His cover of the Beatles’ “With a Little Help from My Friends” at Woodstock became his signature song and an anthem of the era. Cocker’s other notable covers include “Feelin’ Alright”, “The Letter”, and Leon Russell’s “Delta Lady”.

Leon of course

Joe Cocker’s management had organized a tour of the U.S. for him but he was left without a band. His producer at A&M records was Denny Cordell, who happened to be starting his own label with Leon Russell called Shelter Records.

Cordell and Cocker asked Leon to assemble a band for the tour, and Leon agreed only if they could do it like no one had done before.

Through his many connections to outstanding musicians through thousands of studio sessions with the Wrecking Crew, Leon was quickly able to gather together an ensemble of more than twenty musicians, including three drummers, and a backing choir. Leon was the lead guitarist, pianist, arranger, band leader, and musical director. 

 Leon said, “I will put together the band and I’ll do the arrangements and I’ll do everything but I have to be driving this bus. Nothing will go on unless I say so.https://musicdayz.com/

Leon also insisted that a camera crew follow the tour, which became the Mad Dogs and Englishmen documentary film, one of the essential rock n roll films that depicted that era of music.

It became the Leon Russell show because his powerful charisma was undeniable.

From musician Chris Stainton, “I admire Leon Russell so much. He’s an exquisite piano player, especially in that Louisiana style. He was so hot then, at the top of his playing ability. When Leon played piano, I’d play organ, and then I’d switch to piano when Leon took over on guitar.”

The tour would become legendary and the ensuing live album would reach #2 on the U.S. Billboard Top 200. Performances of The Band’s “The Weight,” Traffic’s “Feelin’ Alright,” and The Box Tops’ “The Letter” highlighted the setlist that was capped off by a wild and rousing rendition of Leon’s own “Delta Lady.” Leon and Joe would duet on their version of Bob Dylan’s “Girl from the North Country.”

The tour served as an opportunity for Leon to showcase his own material, as he would be given stage time to perform “Hummingbird” and “Dixie Lullaby,” which were both to be released on his debut album. 

Mad Dogs and Englishmen introduced Leon to the world. Although headlined by Joe Cocker, it wouldn’t have been possible without the visionary genius of Leon Russell as Master of Space and Time.

While the tour catapulted both Leon and Cocker into the pinnacles of rock n roll stature, the magnitude served as a rift between the two of them, and they would choose to pursue their careers separately from that point forward.

To this day, however, the two will be forever connected as having orchestrated one of the great happenings in the history of rock music. (From LeonRussell.com)

My favorite part starts at 4:03 and it’s Leon taking charge just being Leon and leading Will The Circle Be Unbroken.

I don’t know who owns the rights to the rest of the video, but there reallyreally needs to be another documentary, this time showcasing Leon Russell’s live performances, including Hummingbird, Dixie Lullaby, and the duet with Joe Cocker of Dylan’s Girl From The North Country, along with Leon’s amazing arrangement of Cry Me A River.

Here’s the duet:


April’s Full Pink Moon

I love all phases of the moon but I especially search the sky for a full moon no matter if I’m in the desert or the mountains or at the beach or even at home–mama moon always makes her presence known and felt.

Tonight’s moon after the clouds is so bright. It’s a great time for manifestation, particularly related to themes of renewal, emotional growth, and fresh starts.

Photo by Enchanted Seashells
Phlox 'Star of Heaven', Moss Phlox – Dancing Oaks Nursery and Gardens

I know it’s not really pink but that’s only a slight disappointment. It’s actually referred to as a Pink Moon because Moss Phlox are in full bloom during this season.

I found this awesome YouTube video with all of the healing sounds and frequencies and thought I’d share it so everyone has plenty of time to dedicate to this experience.

It starts at 14hz and moves to 12.5hz at 4.20 minutes; 6.35 minutes it moves to 7.83hz
(Schumann Resonance) for 12 minutes, then drops to 0.5hz until the end. There is an underlying base frequency of 432hz which is enhanced within the music as well. The music has an underlying frequency of 285Hz.

I hope you enjoy this. I like to use headphones but it’s not 100% necessary. Don’t forget to charge your crystals!

Yummy Hummy Mummy

Anyone participating in World Naked Gardening Day?

No?

Well, I’m not either, that’s for sure.

I’m moving furniture, shampooing carpets, channeling Cinderella, and obsessing over the only full nest at Casa de Enchanted Seashells.

My little yummy hummy mummy is doing what most animals do naturally — be an attentive and protective mother.

enchantedseashells.com

enchantedseashells.com

In the late afternoon sunlight, I removed the screen in the dining room window and leaned all the way out to capture the iridescence.

enchantedseashells.com

enchantedseashells.com

Have you ever seen a hummingbird stay almost perfectly still for more than two minutes?

I set up the tripod and took some video of her nest sitting, blinking her little eyes, and swaying in the breeze.

There’s a bit of shake (sorry) but the tripod was in a precarious position on top of a bench in order to get the best angle.

When she first started building the nest, I waited until she flew away in order to reinforce the chimes with twine to make sure they’d support the extra weight and not fall down,

YouTube video:
https://youtu.be/0texSJkvJZE

(And congrats to Princess Kate for giving birth to a royal little girl! )

Remembering: When I Got Up Close With Peter O’Toole

Peter O'Toole The Stunt ManFor a brief moment in time, I lived my life’s dream of being an actress.

I had an agent.

I even combined my love for writing with my desire to become the next Oscar winner and wrangled a real live Press Pass from the Theater Arts Guild (which I saved all these years and take out to weep on every so often as just another unrealized dream.)

One time, I interviewed Bob Hope and Connie Francis. By the way, funny as you think he was on stage, he was an absolute JERK behind the scenes. At least that’s what I observed as he demanded that his white Rolls Royce be driven underground at the Sports Arena where he was to appear with Connie Francis in a tribute to the military. There was such a small crowd that a near-panic ensued and busloads of Marines drove in to fill up the seats and save the day.

Anyhoo, I get that I was a nobody with a freshly minted press pass, but I did write for a legitimate publication and he didn’t have to be so rude and dismissive. I wrote an honest, authentic, and genuine piece, not a speck of fluff anywhere. I still have the article somewhere along with my press pass. One day I’ll rummage around in my box of broken dreams and post it.

From tiny on-screen moments on the beach in a bathing suit in Harry- O with David Janssen to my last shoot as a Costa Rican hooker in Deadly Desire with Jack Scalia, it seemed as if I had a calling. I even had a few bit parts with lines, although most of them ended up on the proverbial cutting room floor, so there’s nothing to be found on YouTube to document my star’s brief rise and fall.

Upon reflection, I’m not quite sure why I was typecast as a prostitute? Bimbo in a bikini? Oh well, another fantasy died, thanks to an abundance of wrinkles and hundreds of pockets of cellulite. Time marches on, right?

There was a time I had auditioned for a film that was shooting in San Diego, “Stuntman”, starring the great Peter O’Toole.

Stuntman

Me with Alex Rocco.Photo property of Enchanted Seashells

There I was, once again, a girl in a bikini, on the beach in La Jolla. (Nice abs, if I do say so myself.)

That’s where I met Peter O’Toole. Because we were right on the beach, it was a fairly egalitarian scene. It was fascinating for me to watch actors as they rehearsed their script outdoors — like Steve Railsback who kept going over his lines; “We’re losing the light, Chuck.” “Chuck, we’re losing the light” “We’re losing the damn light, Chuck!”

Photo courtesy of sandiegohistory.org

Photo courtesy of sandiegohistory.org

And then there was Mr. O’Toole as he was called, pretzeling his tall, extremely skinny body onto his special chair, one leg laconically tossed onto the arm as he half-sat, half-reclined — star power all the way —  and he raised his voice, knowing that he’d command attention in less than two syllables, ” Where’s my coffee?  I want my coffee HOT!” to all of the hovering assistants.

He was so thin that he showed us how he wore layers and layers of clothing — even in the summer — to give his body a little padding. (I heard Frank Sinatra did the same thing.)

I was way too cool to ask for an autograph; I wanted him to think of me as an equal; a fellow “actor”, not as a fawning sycophant.

All of us cute young barely clothed girls had an easy time as desired accessories around the set; we had more access to the celebrities, we watched them play chess or checkers or were even invited to eat lunch with them.

At the time, I thought that I was being singled out for my “specialness” and my acting skills; now I see that there was a darker and more exploitative side to what goes on behind the scenes. Trust me, the casting couch is alive and well in Hollywood.

But for me, it was all innocent, all good, all wholesome. I didn’t get drawn into any of the after-hours partying, didn’t make any bad choices in life or follow a destructive path.

My acting pursuits ended with the birth of the Angel Boy except for an inspiring portrayal of that Costa Rican hooker.

My very last line…”Te gusta, señor?” (“You like, Mister?”)

Act on, Mr. O’Toole. Break a leg. You are remembered and missed.