Written by Paul Simon and originally performed by Simon and Garfunkel, this live version of Homeward Bound by Leon Russell (and Gary Ogan) is a TREASURE I had never heard before yesterday.
Photo credit Gary Ogan
Gary Ogan is a forty-seven year veteran in the music business and an Oregon Music Hall of Fame inductee. He moved to Los Angeles in 1977 to sign with Leon Russell’s Paradise Records.
From Gary Ogan: “As the winter of 1977 approached, I was booked as a solo opener for Phoebe Snow on a short run through the Pacific Northwest, five dates altogether, including Thanksgiving night in Portland at the Civic Auditorium. Once the mini-tour was confirmed, Leon mentioned that he and Mary wanted to fly up for my Portland show. He asked if I wanted him to sit in with me. Then he shared the idea he had hatched. He and Mary would watch my set from the wings, then he would step out unannounced after my last song for a duet of “Homeward Bound.” He would sing lead, I would sing backup, we would do the song in the key of C, I would capo my guitar at the 8th fret and play the song in the G position. Once again, I loved how much thought he had put into such a generous gesture. It came off great too. The place went nuts when he walked out, and the ovation would not stop after we left. Here’s a shot of that performance.”
This is a long lost soundboard audio of an unreleased performance with Gary Ogan, featuring the Master of Space and Time, Leon Russell.
Leon’s musical genius never fails to bring joy. His interpretation is AMAZING, as is the perfection of his voice for these lyrics. It’s rare to hear him sing without sitting at his piano.
The “Queen of the Tulsa Sound” is Ann Bell, a pioneering vocalist and performer instrumental in defining the unique musical style known as the Tulsa Sound alongside legends like Leon Russell, the one and only Master of Space and Time, and J.J. Cale.
Inducted into the Oklahoma Music Hall of Fame, Bell’s distinctive voice and deep involvement with the scene earned her that title for her significant contributions and ongoing legacy.
As a backup singer for the original Joe Cocker and Leon Russell Mad Dogs & Englishmen tour and album, she was an important part of the band and is remembered for her contributions to the “Tulsa sound” that Leon Russell helped create. She has also participated in reunion and tribute events in the years since.
I never get tired of hearing this story. I surely wish there was a recording of Leon that night….
Ann is one of the very talented backup singers here (wearing an awesome outfit), along with the GAP Band. I love this comment: “No matter how cool you think you or your band is, you will NEVER be as cool as Leon Russell and the Gap Band doing this Marvin Gaye classic.”
Sunglasses off, shirt open, those EYES...”Wait now. WAIT!” So much Leon joy…
Recorded for the TV show, Midnight Special with Wolfman Jack, “Ain’t That Peculiar” is a classic Motown song originally by Marvin Gaye, but Leon Russell turned it into something spectacular with his signature energetic performance. Watch the entire show here: https://youtu.be/19z9JSaTm8c?si=n96fSGGrQxQuer2R
First it was a unicorn obsession, now it’s this…have you heard of K Pop Demon Hunters? It’s a global phenomenon.
K Pop Demon Hunters
Up until a couple months ago, I never had heard of them, but it became front and center on my radar because of Angel Girl and what she wanted for Christmas and Hanukkah.
That’s all she asked for–ANYTHING Demon Hunter-related, and those are the songs she wants to listen to (NOT Leon Russell lolz), which meant I had to educate myself FAST so I would know what it’s all about.
K-pop stands for Korean Pop, referring to popular music originating from South Korea, known for its blend of diverse musical styles (pop, hip-hop, R&B, electronic) and highly visual, performance-focused productions, often featuring idol groups with synchronized choreography and elaborate fashion. It’s more than just a genre; it’s a cultural phenomenon with a massive global following.
KPop Demon Hunters is about a world-famous K-pop girl group — Huntrix — who secretly use their music and powers to fight demons and maintain the magical barrier (Honmoon) protecting the human world. Their mission becomes complicated when a rival demon boy band, the Saja Boys, tries to steal their fans’ souls, especially as one member, Rumi, grapples with being half-demon herself. The film blends K-pop, action, comedy, and Korean folklore, exploring themes of self-acceptance, shame, and finding strength in community, all set against the backdrop of a musical battle for humanity’s souls.
Some online pearl clutcher types have expressed concern about of the Demon Hunters messages but there are far more important things to worry about in this world, in my opinion. I’m not all that happy about the merchandising aspect of it, but I’ll support what the Angel Kids like, whether it’s unicorns or skateboarding, ‘cos that’s what grandmas do.
Angel Girl’s favorite character is Zoey, and I was able to procure a Zoey bobblehead that she adored, along with some of the figures to hang on her backpack, and posters for her bedroom wall. Other family members gifted her with sweatshirts and clothing, so I think she’s a happy Angel Girl.
And now you know about as much as I do about K pop Demon Hunters. Let’s just hope I can figure out how to create a Demon Hunter birthday cake when it’s that time again…
On this Christmas Eve EVE, it’s a perfect time for some Leon Russell trivia…
From Pinterest
Record producer Phil Spector spent several sessions recording a collection of songs with his Wrecking Crew for a Christmas album called A Christmas Gift for You. One of the greatest moments during those sessions was when “Christmas (Baby, Please Come Home)” was recorded by Darlene Love.
Leon Russell was one of three piano players and Darlene said that Leon got into the song so much “he played a like a man possessed; it was almost like a concerto. He played himself right off the bench and onto the floor and kept playing.” It’s undeniably Leon; he was about twenty-one years old at the time.
At the same recording session, Cher did some background vocals and Sonny Bono was on percussion!
Enjoy these holiday songs from the one and only Master of Space and Time, Leon Russell. For you Grateful Dead fans (not me), this was recorded with Jerry Garcia at the Armadillo World Headquarters November 1972.
Leon Russell’s music is now owned by George Harrison’s Dark Horse Records. Here’s “The First Noel” from Leon Russell Hymns Of Christmas:
Did you know that Leon Russell wrote “Lost Inside of You” with the one and only Barbra Streisand? The hit song was recorded for the movie, A Star is Born, and that’s Leon on the soundtrack. He will forever be the one and only Master of Space and Time, a musical, visionary genius.
Barbra Streisand took on the lead female role of Esther Hoffman in the 1976 remake of the 1954 film A Star Is Born, opposite Kris Kristofferson as John Norman Howard, an aging singer engulfed by excesses and demons.
Howard’s road manager was portrayed by Gary Busey, a friend of and drummer for (as Teddy Jack Eddy) Leon Russell. Busey introduced Barbra to Leon, and while at her Malibu ranch, Barbra and Leon wrote “Lost Inside of You”.
It was included in the film, on the soundtrack, and as a B-side to Barbra’s single “Comin’ In And Out Of Your Life” from her 1981 hits album Memories. The soundtrack album has sold more than 15 million copies worldwide, and Memories did well with over 10,000,000 in sales worldwide, earning Russell loads of money in royalties as a songwriter. From Leon Russell Superstar in a Masquerade
I love knowing that Barbra Streisand collaborated with Leon and I love hearing him play the piano. I wish I had a photo of the two of them. One day, it would be my dream to chat with her about it.
A small anecdote about my six degrees connection to Barbra Streisand is that I once met and had lunch on set with her husband, James Brolin, when he did some filming locally. He was SUPER nice and welcoming. It was a special day and if you’re wondering, he’s even more handsome up close.
P.S. And did you know that Streisand’s co-star in A Star is Born, Kris Kristofferson, was married to Rita Coolidge, who was once upon a time Leon Russell’s girlfriend? Leon’s song, Delta Lady, was written about her. Cool info, huh?
I had a dream that seemed to last forever and here are some snippets that I can actually recall.
Leon Russell
For no apparent rhyme or reason, Leon Russell (yes, I know) was showing me a ballet move called développé à la seconde, which I thought was even more remarkable because he was slightly paralyzed from a birth injury on the side that was attempting the move.
I can’t even begin to explain how or why my mind connected the Master of Space and Time to a difficult dance position, but that’s the beauty of the subconscious, I guess. It doesn’t have to make sense.
When I was involved in ballet, this particular move was a struggle for me to master. I often uttered a silent groan when Madame Kaliskis said it was time for développé because I knew she’d eventually make her way over to me at the barre and watch me until I felt my leg was going to fall off. She’d say “encore” which meant I had to do it again and again, and then she’d hold my leg up where it SHOULD be, and my task was to hold it there, but I never could.
Here’s a vid of how it ought to look; sadly, my extensions were never this perfect no matter how much I practiced.
Anyway…
As soon as Leon finished with his (quite nice, better than mine ever were) développé, the dream became all about me.
I was driving from my house to Catalina Island which is not at all possible as it’s about seventy-five nautical miles from my area and can only be reached by boat or air, but there I was, driving along a very narrow path with water on both sides of me, sometimes lapping up ever so slightly over the road, which totally freaked me out. This wasn’t a fun part of the dream as I was in a constant state of anxiety and vigilance so I wouldn’t miss the road and end up in the ocean.
I remember taking the ferry back from Catalina Island but not sure what happened to the car that I drove along the non-existent road to get there. On Catalina, visitors can’t bring their own cars; most people use golf carts or bicycles. Only a very limited number of residents and businesses have vehicle permits and there’s a years-long waiting list for them.
Since I used to work for the (now defunct) company that used to go to Catalina Island from San Diego, it’s not too unusual to dream about it, but the more than four hour-long one way trip was often referred to as the “vomit comet” because, well, you can probably figure out WHY, haha.
I didn’t often accompany passengers over there for that reason, and because I generally get seasick. Ick.
After I was safely back on terra firma, my subconscious decided to go on another exploration of past memories and my often dreamed about kitty, Bandit, returned to snuggle with me in bed. She loved freshly washed flannel sheets as much as I do and we kept each other warm. The dream ended far too soon, along with the feeling of being safe and loved by a purring machine. That morning I had changed the sheets to soft, fragrant flannel ones, so THAT part of the dream fused with reality.
Strange dream, right? I can’t even begin to figure out what it all means, but it really wasn’t embarrassing at all because I’m fascinated with the human mind during different sleep states.
Back To The Island is playing in my head, so here’s the Leon connection, and to reiterate, this song was written and composed by Leon Russell, NOTNOTNOT Jimmy Buffet, and of course, Leon does it better.
Finally, the rains have begun. It’s a good time for a little self reflection along with some deep closet purging, sort of a sad but keep busy kind of day.
Be a witness, not a judge. Focus on yourself, not on others. Listen to your heart, not to the crowd. Rumi
Be a witness, not a judge. Focus on yourself, not on others. Listen to your heart, not to the crowd — Rumi 🤍
As I clean/purge, I’m listening to Leon Russell (of course) and his song, Manhattan Island Serenade, is perfect for a rainy day. Fact: there was a real thunderstorm while he was recording and Leon included it. Why? Because he’s the Master of Space and Time, that’s why…
Today is the anniversary of Leon’s death, November 13, 2016.
Here’s where it began — Leon was sixteen years old in this KOTV photo from the 1958 March of Dimes Telethon. Left to right, Tommy Crook, drummer Chuck Blackwell, Jimmy ‘Junior’ Markham, Bill Raffensperger and (Leon) Claude Russell Bridges.
From Tulsa Today
Leon Russell will always be the one and only visionary and musical magician, The Master of Space and Time, and we’re still mourning him.
A Song For You is one of the most beautiful and iconic songs ever composed and no one can perform it like Leon.
Mad Dogs and Englishmen, the 1971 concert film mostly about a Joe Cocker tour, was just released on YouTube. The timing of this release coincides with Joe Cocker being inducted into the Rock and Roll Hall of Fame on Saturday.
Joe Cocker was an English singer who rose to fame in the 1960s after his performance at Woodstock. Known for his distinctive voice and dynamic stage presence, Cocker was a gifted interpreter of other artists’ work. His cover of the Beatles’ “With a Little Help from My Friends” at Woodstock became his signature song and an anthem of the era. Cocker’s other notable covers include “Feelin’ Alright”, “The Letter”, and Leon Russell’s “Delta Lady”.
Leon of course
Joe Cocker’s management had organized a tour of the U.S. for him but he was left without a band. His producer at A&M records was Denny Cordell, who happened to be starting his own label with Leon Russell called Shelter Records.
Cordell and Cocker asked Leon to assemble a band for the tour, and Leon agreed only if they could do it like no one had done before.
Through his many connections to outstanding musicians through thousands of studio sessions with the Wrecking Crew, Leon was quickly able to gather together an ensemble of more than twenty musicians, including three drummers, and a backing choir. Leon was the lead guitarist, pianist, arranger, band leader, and musical director.
Leon said, “I will put together the band and I’ll do the arrangements and I’ll do everything but I have to be driving this bus. Nothing will go on unless I say so.” https://musicdayz.com/
Leon also insisted that a camera crew follow the tour, which became the Mad Dogs and Englishmen documentary film, one of the essential rock n roll films that depicted that era of music.
It became the Leon Russell show because his powerful charisma was undeniable.
From musician Chris Stainton, “I admire Leon Russell so much. He’s an exquisite piano player, especially in that Louisiana style. He was so hot then, at the top of his playing ability. When Leon played piano, I’d play organ, and then I’d switch to piano when Leon took over on guitar.”
The tour would become legendary and the ensuing live album would reach #2 on the U.S. Billboard Top 200. Performances of The Band’s “The Weight,” Traffic’s “Feelin’ Alright,” and The Box Tops’ “The Letter” highlighted the setlist that was capped off by a wild and rousing rendition of Leon’s own “Delta Lady.” Leon and Joe would duet on their version of Bob Dylan’s “Girl from the North Country.”
The tour served as an opportunity for Leon to showcase his own material, as he would be given stage time to perform “Hummingbird” and “Dixie Lullaby,” which were both to be released on his debut album.
Mad Dogs and Englishmen introduced Leon to the world. Although headlined by Joe Cocker, it wouldn’t have been possible without the visionary genius of Leon Russell as Master of Space and Time.
While the tour catapulted both Leon and Cocker into the pinnacles of rock n roll stature, the magnitude served as a rift between the two of them, and they would choose to pursue their careers separately from that point forward.
To this day, however, the two will be forever connected as having orchestrated one of the great happenings in the history of rock music. (From LeonRussell.com)
My favorite part starts at 4:03 and it’s Leon taking charge just being Leon and leading Will The Circle Be Unbroken.
I don’t know who owns the rights to the rest of the video, but there reallyreally needs to be another documentary, this time showcasing Leon Russell’s live performances, including Hummingbird, Dixie Lullaby, and the duet with Joe Cocker of Dylan’s Girl From The North Country, along with Leon’s amazing arrangement of Cry Me A River.
George Harrison invited Leon Russell to play piano on Badfinger’s third album in the summer of 1971. The piano part complemented Pete Ham’s and Harrison’s dual slide guitars on “Day After Day.” (Church Studio)
I always loved the way the piano sounded on this tune and when I found out that it was Leon I was blown away. It’s like so many songs I’ve loved over the years only to discover that Leon’s contribution was the magic that made them so memorable.
“He just sat down, closed his eyes, and played the part in one take.”
According to sound engineer Richard Lush, Russell nailed the “Day After Day” piano line almost instinctively.
I’m repeating a comment from YouTube about this recording. “George Harrison asked Leon Russell to add the piano accompaniment. They played the tracks that had already been laid down, as Leon sat in the studio by himself. After listening to it once, he sat at the piano with his eyes closed. George thought he had fallen asleep and said Leon’s name a couple of times over the speaker. Leon held his hand up and then a moment later told them he was ready and to roll tape. He played the part in one take. Don’t know if it’s true, but a cool story.”
Russell – like so many greats – had an almost spiritual sense for when not to play, and on “Day After Day” he seems to materialize only at the emotional inflection points. He doesn’t play on the piece – he haunts it, and once done, disappears from the song again like incense in a draught. He is a spectral presence, and this plays on my imagination as a strange portent for the tragedy that would befall Badfinger the band. https://danegiraud.substack.com/
Of course it’s true. I’m not at all surprised. Leon was a visionary, a musical genius, and will always and forever be the master of space and time.
PS I know there was a tragic end to Badfinger but this isn’t an exposé, just another example of the hundreds of songs that were all the better because of Leon Russell’s magic touch.
Enchanted Seashells | Princess Rosebud 