We Wear the Mask (Poetry/Reality)

Posted on August 11, 2020 by Enchanted Seashells

Here’s my assortment of masks waiting for me on the front seat of the car.

That’s REALITY, a temporary address where I don’t really like living for any length of time, as I’d rather dwell in the realm of fairy gardens with doors that open to a gentle forest of everlasting happiness.

How’s everyone doing with the novel Corona virus, now officially called SARS-CoV-2 (Severe Acute Respiratory Syndrome Coronavirus 2)

♥ Are you masking up in public?

♥ Have you been to a restaurant?

♥ Have you or anyone you know been exposed and/or tested positive?

♥ Are you still restricting your daily activities?

♥ Are you still washing your hands more than ever?

♥ Disinfection game still at a high level?

ME:
• I wear a mask whenever I go to a store. As soon as I walk outside, I take it off.
• No restaurants or bars for me.
• My DILs brother-in-law got it, was extremely sick and hospitalized, it was touch and go but he pulled through.
• I’m in the high risk demographic and haven’t/won’t attend any large gathering and I also stay well away from anyone in public.
• Still washing/disinfecting daily but to be honest, I’ve always been a clean freak, so it’s not a hardship.

Here’s the bottom line…I HATE wearing a mask but I do it to protect myself and others.
Just in case. Kind of the same reason I wear a seatbelt. Or don’t drink and drive. To protect you and me. Just in case.

It’s a small price to pay, whether or not it’s actually necessary, but doctors and medical professionals wear masks and other PPE during surgery and when they’re in the presence of patients who present potentially contagious symptoms, so why not?

Here’s POETRY.

Paul Laurence Dunbar wrote a poem about another kind of mask. He was an amazingly insightful poet.

We Wear the Mask

We wear the mask that grins and lies,

It hides our cheeks and shades our eyes,—

This debt we pay to human guile;

With torn and bleeding hearts we smile,

And mouth with myriad subtleties.

Why should the world be over-wise,

In counting all our tears and sighs?

Nay, let them only see us, while

We wear the mask.

We smile, but, O great Christ, our cries

To thee from tortured souls arise.

We sing, but oh the clay is vile

Beneath our feet, and long the mile;

But let the world dream otherwise,

We wear the mask!

BY PAUL LAURENCE DUNBAR

“The Sparrow” by Paul Laurence Dunbar

Posted on May 29, 2020 by Enchanted Seashells

I love this little bird. It really seems like he likes to follow me around so I started to follow him and snap pics everywhere he hopped. A special little friend for sure.

The Sparrow

A little bird, with plumage brown,

Beside my window flutters down,

A moment chirps its little strain,

Ten taps upon my window–pane,

And chirps again, and hops along,

To call my notice to its song;

But I work on, nor heed its lay,

Till, in neglect, it flies away.

So birds of peace and hope and love

Come fluttering earthward from above,

To settle on life’s window–sills,

And ease our load of earthly ills;

But we, in traffic’s rush and din

Too deep engaged to let them in,

With deadened heart and sense plod on,

Nor know our loss till they are gone.

Paul Laurence Dunbar – 1872-1906

The Stolen Child

Posted on May 19, 2020 by Enchanted Seashells

I was going to write a funny post about how my son is occasionally as childish as his sometimes feral four-year-old but then I saw this poem and thought I’d instead elevate my intellect with Yeats.

“Come away, O human child!
To the waters and the wild
with a faery, hand in hand,
for the world’s more full of weeping than you can understand…”
W.B. Yeats

Here’s the entire poem:

The Stolen Child

Where dips the rocky highland
Of Sleuth Wood in the lake,
There lies a leafy island
Where flapping herons wake
The drowsy water rats;
There we’ve hid our faery vats,

Full of berrys
And of reddest stolen cherries.
Come away, O human child!
To the waters and the wild
With a faery, hand in hand,
For the world’s more full of weeping than you can understand.

Where the wave of moonlight glosses
The dim gray sands with light,
Far off by furthest Rosses
We foot it all the night,
Weaving olden dances
Mingling hands and mingling glances
Till the moon has taken flight;
To and fro we leap
And chase the frothy bubbles,
While the world is full of troubles
And anxious in its sleep.
Come away, O human child!
To the waters and the wild
With a faery, hand in hand,
For the world’s more full of weeping than you can understand.

Where the wandering water gushes
From the hills above Glen-Car,
In pools among the rushes
That scarce could bathe a star,
We seek for slumbering trout
And whispering in their ears
Give them unquiet dreams;
Leaning softly out
From ferns that drop their tears
Over the young streams.
Come away, O human child!
To the waters and the wild
With a faery, hand in hand,
For the world’s more full of weeping than you can understand.

Away with us he’s going,
The solemn-eyed:
He’ll hear no more the lowing
Of the calves on the warm hillside
Or the kettle on the hob
Sing peace into his breast,
Or see the brown mice bob
Round and round the oatmeal chest.
For he comes, the human child,
To the waters and the wild
With a faery, hand in hand,
For the world’s more full of weeping than he can understand. —W.B. Yeats

Art curated from Pinterest

The Boy Who Is My Heart

Posted on May 10, 2020 by Enchanted Seashells

Update Mother’s Day 2020: I wrote this post about my son lightyears prior to Angel Boy 2.0. because without him, I wouldn’t be a mommy at all.Since the birth of his baby sister, AB 2.0 and I repeat this conversation pretty much every single time we speak or we’re together. (A little needed reassurance about his place in the world.)

“Who’s my very favorite boy?”

“I am, Grandma!”

And who’s my second favorite boy?”

“DADDY IS. DADDY IS!”

“You’re right! Now…who’s my favorite GIRL?”

“CharChar is, right, Grandma?”

“You got it, T. And then who’s my second favorite girl?”

“MOMMY MOMMY MOMMY!”

Just keeping it straight for the second little boy who is my heart.

(P.S. My poem was published in Waterways: Poetry in the Mainstream Volume 34 #4)

The Yellow Steamroller

So much depends
upon

a yellow
steamroller

buried
in the dirt

behind the shed

On one bitterly cold wintry afternoon, I embarked on a major yard cleanup project. I raked all the pine needles shaken loose during the fury of Alaska-borne winds that roared down the coast to Southern California.

Metal rake clanged against metal.

Then I saw it, a bright yellow igniting the dirt and pine needles, suffused with a gleaming radiance through the brown.

I threw down the rake, crouched on all fours, and with bare fingers dug through the wet fecund soil to uncover an abandoned yellow Matchbox toy from the spot where there once was a sandbox that my son’s dad built for him when we first moved to this house in 1985.

I discovered in situ a three-inch wide artifact imbued with all the wonder of my perfect four-year-old child, the same age that my grandson is right now, thirty-five years later.

I gently brushed away decades of encrusted soil and sand.

I was engulfed in wave after wave of memory.

I was there. Really there. 1985.

I saw him–my precious four-year-old son in this beautiful huge sandbox filled with fresh, clean sand.

I watched him as I often watched him from the bay window in the kitchen overlooking the backyard where I would wash dishes and keep an eye on him, keeping him safe–always keeping him safe–as he played in the sand with his dump trucks and cherry pickers and this steam roller and his buckets and plastic cups and forks and sticks with his cats and dog always near, and the loveliness of the memory set me on my heels and I cried.

Happy tears for the exquisite soft rosy glow of healthy well-fed cheeks, the deep Imperial jade green eyes, the curls that were my curls, my boy, my angel love.

The boy whose every breath contains a whisper of the intangible all encompassing LOVE I possess for this being who was a part of me before he was a part of the earth and sun and sky and sand.

The boy who is — and always will be — my heart.

I shut my eyes tight to keep the pictures from disappearing, but the ephemeral/evanescent impressions floated away with the tears that spilled out for the remembering of the beauty of a luminous child playing in a sandbox, singing to himself and constructing sand sculptures of the future, or, in his case, building words and spinning thoughts and erratica.

Those grains of sand that between his fingers mashed and smashed into forts and tunnels were the detritus of the granite from whence his brain reformed them grain by grain into skyscrapers of words and sentences that flow like a path from the back door to the sandbox.

And what eventually happened to the steamroller? It’s still here in the garden, living a new life helping another curly haired, green eyed little boy weave his own stories…

In a way, a sort of homage to…

The Red Wheelbarrow
William Carlos Williams

so much depends
upon

a red wheel
barrow

glazed with rain
water

beside the white
chickens.

And Still I Rise…Maya Angelou

Posted on September 26, 2017 by Enchanted Seashells

Oh yes. Absolute perfection.

And still I rise. Or sit. Or kneel.

Free will.

5-7-5

Posted on September 17, 2017 by Enchanted Seashells

There was a hauntingly beautiful sunset last night on the southern California coastline.

I was inspired to haiku whilst standing on a slight rise above our lagoon and my phone captured this strangely intense halo effect.

My poetry chops are a little rusty…but writing a haiku is like creating a post on Twitter; that 140 character limit causes drastic slash and burn style editing and revision to convey only the essence of intention. No word salad here!