“Yeah, I know with the help of the good God, and an artificially induced religious experience, I think it’s gonna be all right.”
Photo credit, found on Pinterest
The Master of Space and Time’s churchy, rolling piano and drawling vocals, his zealous evangelical outpouring of energy from the stage made his concerts, as Russell put it, “an artificially induced religious experience.”
Leon was offered an off-camera role in the film, “When You Comin’ Back, Red Ryder”, as Reverend Duane Hindley, a radio preacher broadcasting from Del Rio, Texas.
He’s heard in the scene with Peter Firth as Stephen “Red” Ryder and Audra Lindley (remember Three’s Company?) as Ceil Ryder, Red’s mother.
Leon later revealed he read that religious rant, (he wrote it), in the style of Asa A. (A.A.) Allen, a 1960s American Pentacostal evangelist known for his “Voice of Healing.”
Listen closely to hear Leon say, “Feel the power,” “count your blessings,” and “encounters with the Devil.”
I thought this was a pretty cool discovery about Leon Russell. He could have had another career as a fire and brimstone preacher.
I’d definitely attend the Church of Leon. I believe!
International Leon Russell Day is celebrated on June 25th, coinciding with National Leon Day.
It’s a day to honor the visionary, legendary musician Leon Russell with events like special performances and tribute album release parties.
I had another one of my accidental mishaps and was totally incapacitated for a brief period of time. No surgery necessary, but I was in recovery mode yet again…that’s the only reason I can think of to explain how I missed a day to honor the Master of Space and Time.
I was there on June 26,1971…
Early Leon performing Hi-Heel Sneakers from the Shindig TV show. He was only 22 years old. S1E7, October 28, 1964. Leon starts at 2:25.
And a decade later, Strangers in a Strange Land:
And many, many years later, he’s still the Master of Space and Time. All you need is Leon and his piano…his version is so nuanced and poignant, it brings tears.
Written by Bill Janovitz, this nearly 600 page New York Times bestselling biography of Leon Russell, Leon Russell: The Master of Space and Time’s Journey Through Rock & Roll History was a gift from the original Angel Boy.
I don’t think he (or the Angel Kids) quite understand my passionate interest (read obsession) with the one and only Claude Russell Bridges (Leon Russell), but he’s supportive in his own way, although he wouldn’t play “A Song For You” on our piano because he said it had been too long since he tickled the ivories and it might have looked simple to play, but it was a very complex piece of music and he didn’t feel he could do it justice. Or at least that’s the excuse he gave me.
So…this BOOK. It’s comprehensive, it’s respectful, and it delves into areas of Leon’s life that even I didn’t know. Yes, there’s some sex, drugs, and rock and roll, but the overarching theme of Leon’s life and music is LOVE.
The life path that took a child born with cerebral palsy during the Second World War, who overcame his physical challenges to become a classically trained pianist — and was catapulted to the top of the music scene–is inspirational. He was and always will be the Master of Space and Time — a visionary.
One of my favorite quotes from the book is from his friend and fellow musician, Ann Bell:
“One night everybody had gone to bed, and it was about four o’clock in the morning. All of a sudden, I woke up; I could hear him playing. It was a classical piece; he’s in the living room, where he had a piano, and he’s playing this piece that’s forty minutes long, from memory. There was no sheet music. I sat down on the bench, and I didn’t say a word. I just thought, ‘They didn’t understand the depth of his well.’ And when he was done, I was crying. He goes, ‘Girl, what’s wrong witchoo?'”
From the Rock & Roll Hall of Fame: The definitive New York Times bestselling biography of legendary musician, composer, and performer Leon Russell, who profoudly influenced George Harrison, the Rolling Stones, Eric Clapton, Elton John, Willie Nelson, Tom Petty, and the world of music as a whole.
Leon Russell is an icon, but somehow is still an underappreciated artist. He is spoken of in tones reserved not just for the most talented musicians, but also for the most complex and fascinating. His career is like a roadmap of music history, often intersecting with rock royalty like Bob Dylan, the Stones, and the Beatles. He started in the Fifties as a teenager touring with Jerry Lee Lewis, going on to play piano on records by such giants as Frank Sinatra, The Beach Boys, and Phil Spector, and on hundreds of classic songs with major recording artists. Leon was Elton John’s idol, and Elton inducted him into the Rock and Roll Hall of Fame in 2011. Leon also gets credit for altering Willie Nelson’s career, giving us the long-haired, pot-friendly Willie we all know and love today.
In his prime, Leon filled stadiums on solo tours, and was an organizer/performer on both Joe Cocker’s revolutionary Mad Dogs and Englishmen tour and George Harrison’s Concert for Bangladesh. Leon also founded Shelter Records in 1969 with producer Denny Cordell, discovering and releasing the debut albums of Tom Petty, the Gap Band, Phoebe Snow, and J.J. Cale. Leon always assembled wildly diverse bands and performances, fostering creative and free atmospheres for musicians to live and work together. He brazenly challenged musical and social barriers. However, Russell also struggled with his demons, including substance abuse, severe depression, and a crippling stage fright that wreaked havoc on his psyche over the long haul and at times seemed to will himself into obscurity. Now, acclaimed author and founding member of Buffalo Tom, Bill Janovitz shines the spotlight on one of the most important music makers of the twentieth century.
I give this book all the stars ⭐⭐⭐⭐⭐⭐ and tophats 🎩🎩🎩🎩🎩🎩🎩🎩
In my opinion, if you don’t know who Leon Russell was, you should, and reading Janovitz’s biography is a good way to learn about him and to be amazed at his musical genius. You’ll understand why he’s referred to as the Master of Space and Time.
Leon Russell and the GAP band on The Midnight Special with Wolfman Jack:
A while back I wrote about the 1970s TV show, Emergency!, a favorite of mine to watch with my RN mom. A little research revealed that one of the stars, Julie London, was an amazing vocalist and her husband in real life, Bobby Troup (also on Emergency!), was not only an accomplished musician but he wrote the hit song, Route 66.
Since it’s no secret that I have an ongoing OBSESSION with Leon Russell that doesn’t seem to be abating any time soon, I was listening to some of the tracks on the Mad Dogs and Englishmen CD and watched the videos where LR is prominent.
I’m not a huge fan of Joe Cocker, never have been, and still think that Leon’s versions of his own songs can’t be surpassed (like Delta Lady), but then I heard JC sing “Cry Me a River” by Arthur Hamilton, and realized that it’s the same song Julie London sang a while back, but this was a completely light years different arrangement by….you guessed it, the one and only Master of Space and Time, the magical visionary himself, Leon Russell.
It’s actually not that crazy because a little more digging revealed that Leon was often a Wrecking Crew first call session pianist for some of Julie London’s recordings, so there was a connection.
Listen to Julie London (amazing for sure)…
…and now watch this video. I confess that for me, one of the best parts besides seeing Leon’s magical hands on the piano is when he counts off “1-2-3-4“. No shame in owning my obsession, is there? If only Leon had sung this himself…
Do you have a preference? Both awesome versions of the song, but the talents of Leon Russell forever blow my mind. How did he even think of arranging the song that way? Sadly, we’ll never know, but his magic lives on.
And then there’s Ella Fitzgerald’s version…OMG! They are all incredible interpretations, aren’t they?
Claude Russell Bridges (Leon Russell) would be eighty-three years old today and sadly, while he’s no longer here, it’s a good time to remember him through his musical genius. He was a gifted pianist, songwriter, arranger, bandleader, and producer–a visionary.
His beauty shines through, no matter his age.
This is a brief compilation of some of his water themed recordings:
Back To The Island (Leon Russell’s creation, NOT Jimmy Buffet)
Record producer Phil Spector spent several sessions recording a collection of songs with his Wrecking Crew for a Christmas album. One of the greatest moments during those sessions was when “Christmas (Baby, Please Come Home)” was recorded by Darlene Love.
Leon Russell was one of three piano players and Darlene said that Leon got into the song so much “he played a like a man possessed; it was almost like a concerto. He played himself right off the bench and onto the floor and kept playing.” Leon was about twenty years old at the time.
At the same recording session, Cher did some background vocals and Sonny Bono was on percussion!
Enjoy these holiday songs from the one and only Master of Space and Time, Leon Russell… It might not be your usual Christmas music, but they’re SO VERY Leon.
For you Grateful Dead fans (not me), this was recorded with Jerry Garcia at the Armadillo World Headquarters November 1972.
Leon Russell’s music is now at the home of George Harrison’s Dark Horse Records. Here’s “The First Noel” from Leon Russell Hymns Of Christmas:
“Once in a lifetime across your lifeline crosses an energy like no other. This is Leon Russell to me.” Gary Busey, musician, actor, long-time friend of the Master of Space and Time.
It’s a sunny and warm November day here in SoCal, a perfect time to sit outside on the deck and read Leon Russell In His Own Words.
It’s not a huge book but any light shed on the mysterious, charismatic, and enigmatic MOSAT is appreciated.
It features memories by and about LR from his childhood, high school bands, session work in Los Angeles, and some of his tours.
I’m always amazed at the sheer numbers of records that benefited from Leon’s words, arrangements, and productions. He was a legendary musician, composer, and performer whose musical influence can’t be overstated.
Leon Russell was a one-of-a-kind human; I don’t think we’re likely to experience that kind of genius in several lifetimes.
This little book was enjoyable and informative; I totally recommend!
Now I’m waiting for my Christmas/Hanukkah gift: another book about Leon Russell ; this one is written by Bill Janovitz: Leon Russell: The Master of Space and Time’s Journey Through Rock & Roll History
The world lost Leon Russell eight years ago on November 13, 2016. He was and will always be the absolutely gorgeous Master of Space and Time. He is so very missed. I hope that our collective and continued love for Leon offers his family some small comfort as they remember his life. We will never forget him or his musical genius that still brings so much joy.
According to his mother, Leon Russell’s first words happened as a result of observing some birds…“What’s the matter little birdie, you cry?” She was shocked because Leon had never before spoken. For some reason, that sweet story touches my heart. Maybe it was a bluebird.
Credit to the photographer
This Mary Oliver poem about a bluebird seems to convey what I can’t figure out how to say.
What Gorgeous Thing
I do not know what gorgeous thing the bluebird keeps saying, his voice easing out of his throat, beak, body into the pink air of the early morning. I like it whatever it is. Sometimes it seems the only thing in the world that is without dark thoughts. Sometimes it seems the only thing in the world that is without questions that can’t and probably never will be answered, the only thing that is entirely content with the pink, then clear white morning and, gratefully, says so. — Mary Oliver
Bluebird by Leon Russell
*Featured photo credit to Enchanted Seashells of scrub jay
I just saw an old video of Tom Petty and the Heartbreakers and it reminded me of something from my past.
Sometimes, when my son was around eight or ten years old (early 1990s), I’d bring him along with me to the gym and he’d go (reluctantly) to the babysitting room for an hour or so. It was mostly other doubledigiters so he didn’t have a real problem with it, and eventually became friendly with a boy about the same age.
Their friendship progressed beyond the gym to birthdays and sleepovers. For a while, these two boys were inseparable.
One day, out of the blue, and I’m a bit fuzzy on the details, the boy’s dad asked if I could give him a ride to LAX. It’s a ninety minute drive and I’m not sure why I said yes ‘cos I seriously HATE to drive, especially if it involves LA traffic, but I loaded the boys and the dad (along with his guitar) in my car.
I can’t pinpoint the exact moment when I learned that his dad was Ron Blair of Tom Petty and the Heartbreakers, but I was suitably impressed and starstruck. All I do remember is that he was always quiet but courteous and appreciated the airport ride. He looked EVERY bit a rock and roll superstar.
A couple weeks pre-Covid, a friend invited me to a fundraiser for the local food bank. It was an outdoor venue with a lot of musical guests. The headliner’s name was a familiar one. Lo and behold, it was Ron Blair, who now lives in my little town.
We chatted a bit; I can’t honestly say that he remembered me, but he did remember my son which was cool.
Still quiet, still friendly, and amazingly talented.
We’ve all aged and I’m obviously way too old to be a groupie (sigh), but I do remember THOSE good old days, haha.
My brain just recollected something else…meeting my son’s friend’s maternal grandmother, Mother Antonia. She was infamous for having renounced all her wealth to become a Roman Catholic American religious sister and activist who chose to reside and care for inmates at the notorious maximum-security La Mesa Prison in Tijuana, Mexico. As a result of her work, she founded a new religious institute called the Eudist Servants of the 11th Hour. (Wiki)
Before her death in 2013, she was on TV quite a bit advocating on behalf of the prisoners.
Enchanted Seashells | Princess Rosebud 