Earworm, Courtesy of Leon Russell

Because both of the Angel Kids’ eyes literally roll back in their heads when I make them listen to Leon Russell music, I found a slightly obscure song called “Too Much Monkey Business”. It’s more spoken than sung, like a precursor to rap music, and was written by Chuck Berry in 1956.

I played it and the Angels started singing along, as it’s a very catchy tune. I’d call out “How much monkey business” and they’d respond, “Too much monkey business!”

This song is totally earworm-worthy because they couldn’t stop singing it to themselves. All day long, during breakfast and helping to organize their books so we could donate some, I heard them quietly repeat “too much monkey business”, or “too much for me to be involved in.”

I said, “Cool song, huh?” as I planned my final move in my neverending quest to make them love Leon as much as I do.

When we sat on the sofa together after dinner playing card games, I asked Siri to play “Too Much Monkey Business” by Leon Russell and AB said, “Wait, that was LEON? It didn’t sound like him!” I replied, “That was my little joke. You had no idea you were singing one of his songs hahahahaha!”

Too late to stop it from happening; the lyrics are firmly embedded in their brains. They changed the words to: “How much Grandma business?” and “Too much Grandma business.”

They grudgingly agreed it was GOOD but asked me to pleasepleaseplease stop dancing because I was embarrassing them. I can only imagine the many ways I’ll be an embarrassment when they’re teenagers. It’s a rite of passage. They can ask their dad for confirmation.

Those kids are uber funny but I won. They’re now listening to and appreciating the Master of Space and Time–in spite of themselves. My work here is done.

Runnin’ to and fro, hard workin’ at the mill
Never failed in the mail, yet come a rotten bill
Too much monkey business, too much monkey business
Too much monkey business for me to be involved in

Salesman talking to me tryin’ to run me up a creek
Say, “You can buy it, go on, try it, you can pay me next week” ah
Too much monkey business, too much monkey business
Too much monkey business for me to be involved in

Blonde-haired, good lookin’ tryin’ to get me hooked
Want me to marry, get a home, settle down, write a book, ha
Too much monkey business, too much monkey business
Too much monkey business for me to be involved in

Same thing every day, gettin’ up, goin’ to school
No need to be complainin’, my objections overruled, ah
Too much monkey business, too much monkey business
Too much monkey business for me to be involved in

Payphone, somethin’ wrong, dime gone, will mail
I ought to sue the operator for tellin’ me a tale, ah
Too much monkey business, too much monkey business
Too much monkey business for me to be involved in

I been to Yokohama, been fightin’ in the war
Army bunk, army chow, army clothes, army car, ah
Too much monkey business, too much monkey business
Too much monkey business for me to be involved in

Workin’ in the fillin’ station, too many tasks
Wipe the windows, check the tires, check the oil, dollar gas, ah
Too much monkey business, too much monkey business
I don’t want your botheration, get away, leave me be

Too much monkey business for me

More Leon Russell, This Time With JJ Cale

I love it when someone sends pictures of Leon that I hadn’t previously seen. These photos were taken in Detroit; the one on the left was at the Eastown Theater (1970) and on the right, Cobo Arena in 1972.

Ron Domilici  Cobo Arena photo by Charlie Auringer.·Magic bag

One of the most truly amazing live performances took place at Leon’s Paradise Studios in 1979. All the musicians are incredible, but it features Leon’s long-time friend and colleague, JJ Cale. The sole female guitarist is Christine Lakeland Cale, JJ’s wife.

Grammy winner, legendary singer, songwriter, and musician J.J. Cale (born John Weldon Cale,1938–2013) was one of the originators of the distinctive Tulsa Sound. He is most famous for writing songs popularized by others, including Eric Clapton’s hits “Cocaine” and “After Midnight” and Lynyrd Skynyrd’s “Call Me the Breeze”. Known for his laid-back, blues-rock style, Cale also pioneered the use of drum machines and produced his own records, engineering his own distinctive sound. He was also one of Leon Russell’s engineers in the 1960s.

Check out Leon on the drums!

PS There’s an album/dvd of that session but I haven’t found it available for purchase. JJ. Cale featuring Leon Russell – In Session at the Paradise Studios, L.A. 1979 [DVD] If anybody has one, please let me know! I’d love to own it.

When You Comin’ Back, Red Ryder…More Leon Russell

“Yeah, I know with the help of the good God, and an artificially induced religious experience, I think it’s gonna be all right.” 

Photo credit, found on Pinterest

The Master of Space and Time’s churchy, rolling piano and drawling vocals, his zealous evangelical outpouring of energy from the stage made his concerts, as Russell put it, “an artificially induced religious experience.”

Leon was offered an off-camera role in the film, “When You Comin’ Back, Red Ryder”, as Reverend Duane Hindley, a radio preacher broadcasting from Del Rio, Texas.

He’s heard in the scene with Peter Firth as Stephen “Red” Ryder and Audra Lindley (remember Three’s Company?) as Ceil Ryder, Red’s mother.

Leon later revealed he read that religious rant, (he wrote it), in the style of Asa A. (A.A.) Allen, a 1960s American Pentacostal evangelist known for his “Voice of Healing.”

Listen closely to hear Leon say, “Feel the power,” “count your blessings,” and “encounters with the Devil.”

I thought this was a pretty cool discovery about Leon Russell. He could have had another career as a fire and brimstone preacher.

I’d definitely attend the Church of Leon. I believe!

Book Review | Leon Russell: The Master of Space and Time’s Journey Through Rock & Roll History

Written by Bill Janovitz, this nearly 600 page New York Times bestselling biography of Leon Russell, Leon Russell: The Master of Space and Time’s Journey Through Rock & Roll History was a gift from the original Angel Boy.

I don’t think he (or the Angel Kids) quite understand my passionate interest (read obsession) with the one and only Claude Russell Bridges (Leon Russell), but he’s supportive in his own way, although he wouldn’t play “A Song For You” on our piano because he said it had been too long since he tickled the ivories and it might have looked simple to play, but it was a very complex piece of music and he didn’t feel he could do it justice. Or at least that’s the excuse he gave me.

So…this BOOK. It’s comprehensive, it’s respectful, and it delves into areas of Leon’s life that even I didn’t know. Yes, there’s some sex, drugs, and rock and roll, but the overarching theme of Leon’s life and music is LOVE.

The life path that took a child born with cerebral palsy during the Second World War, who overcame his physical challenges to become a classically trained pianist — and was catapulted to the top of the music scene–is inspirational. He was and always will be the Master of Space and Time — a visionary.

One of my favorite quotes from the book is from his friend and fellow musician, Ann Bell:

“One night everybody had gone to bed, and it was about four o’clock in the morning. All of a sudden, I woke up; I could hear him playing. It was a classical piece; he’s in the living room, where he had a piano, and he’s playing this piece that’s forty minutes long, from memory. There was no sheet music. I sat down on the bench, and I didn’t say a word. I just thought, ‘They didn’t understand the depth of his well.’ And when he was done, I was crying. He goes, ‘Girl, what’s wrong witchoo?'”

From the Rock & Roll Hall of Fame:
The definitive New York Times bestselling biography of legendary musician, composer, and performer Leon Russell, who profoudly influenced George Harrison, the Rolling Stones, Eric Clapton, Elton John, Willie Nelson, Tom Petty, and the world of music as a whole. 

Leon Russell is an icon, but somehow is still an underappreciated artist. He is spoken of in tones reserved not just for the most talented musicians, but also for the most complex and fascinating. His career is like a roadmap of music history, often intersecting with rock royalty like Bob Dylan, the Stones, and the Beatles. He started in the Fifties as a teenager touring with Jerry Lee Lewis, going on to play piano on records by such giants as Frank Sinatra, The Beach Boys, and Phil Spector, and on hundreds of classic songs with major recording artists. Leon was Elton John’s idol, and Elton inducted him into the Rock and Roll Hall of Fame in 2011. Leon also gets credit for altering Willie Nelson’s career, giving us the long-haired, pot-friendly Willie we all know and love today.

In his prime, Leon filled stadiums on solo tours, and was an organizer/performer on both Joe Cocker’s revolutionary Mad Dogs and Englishmen tour and George Harrison’s Concert for Bangladesh. Leon also founded Shelter Records in 1969 with producer Denny Cordell, discovering and releasing the debut albums of Tom Petty, the Gap Band, Phoebe Snow, and J.J. Cale. Leon always assembled wildly diverse bands and performances, fostering creative and free atmospheres for musicians to live and work together. He brazenly challenged musical and social barriers. However, Russell also struggled with his demons, including substance abuse, severe depression, and a crippling stage fright that wreaked havoc on his psyche over the long haul and at times seemed to will himself into obscurity. Now, acclaimed author and founding member of Buffalo Tom, Bill Janovitz shines the spotlight on one of the most important music makers of the twentieth century.

I give this book all the stars ⭐⭐⭐⭐⭐⭐ and tophats 🎩🎩🎩🎩🎩🎩🎩🎩

In my opinion, if you don’t know who Leon Russell was, you should, and reading Janovitz’s biography is a good way to learn about him and to be amazed at his musical genius. You’ll understand why he’s referred to as the Master of Space and Time.

Leon Russell and the GAP band on The Midnight Special with Wolfman Jack:

Cry Me A River | Which Version Do You Like?

A while back I wrote about the 1970s TV show, Emergency!, a favorite of mine to watch with my RN mom. A little research revealed that one of the stars, Julie London, was an amazing vocalist and her husband in real life, Bobby Troup (also on Emergency!), was not only an accomplished musician but he wrote the hit song, Route 66.

Since it’s no secret that I have an ongoing OBSESSION with Leon Russell that doesn’t seem to be abating any time soon, I was listening to some of the tracks on the Mad Dogs and Englishmen CD and watched the videos where LR is prominent.

I’m not a huge fan of Joe Cocker, never have been, and still think that Leon’s versions of his own songs can’t be surpassed (like Delta Lady), but then I heard JC sing “Cry Me a River” by Arthur Hamilton, and realized that it’s the same song Julie London sang a while back, but this was a completely light years different arrangement by….you guessed it, the one and only Master of Space and Time, the magical visionary himself, Leon Russell.

It’s actually not that crazy because a little more digging revealed that Leon was often a Wrecking Crew first call session pianist for some of Julie London’s recordings, so there was a connection.

Listen to Julie London (amazing for sure)…

…and now watch this video. I confess that for me, one of the best parts besides seeing Leon’s magical hands on the piano is when he counts off “1-2-3-4“. No shame in owning my obsession, is there? If only Leon had sung this himself…

Do you have a preference? Both awesome versions of the song, but the talents of Leon Russell forever blow my mind. How did he even think of arranging the song that way? Sadly, we’ll never know, but his magic lives on.

And then there’s Ella Fitzgerald’s version…OMG! They are all incredible interpretations, aren’t they?

Happy Birthday, Leon Russell — Always and Forever Master of Space and Time

Claude Russell Bridges (Leon Russell) would be eighty-three years old today and sadly, while he’s no longer here, it’s a good time to remember him through his musical genius. He was a gifted pianist, songwriter, arranger, bandleader, and producer–a visionary.

His beauty shines through, no matter his age.

This is a brief compilation of some of his water themed recordings:

Back To The Island (Leon Russell’s creation, NOT Jimmy Buffet)

Down on Deep River

On The Waterfront

On A Distant Shore

Caribbean

I’ll Sail My Ship Alone (as Hank Wilson)

Vintage Leon Russell: Anti-war Song

There’s always more to learn about the musical genius of the Master of Space and Time.

Before A Song For You or Tight Rope, this song, Everybody’s Talking “Bout The Young was released in 1965 by young, twenty-three-year-old Leon Russell. Check out his short hair!

He added his socially conscious voice to the growing anti-Vietnam War movement. Brilliantly set to a strident electric country backing, Leon’s voice sounds a bit like Dylan and Sonny Bono. It wouldn’t take long before he found his own distinctive voice a few years later.

And like all of his lyrics, they’re still relevant after all these years…


Everybody’s talking ’bout the young
They forget the damage that’s been done
By middle-age adults In Southern sheeted cults
So why do they still talk about the young?
The younger generation and its plight
Ain’t half as bad as hangings in the night
We got a monkey on our back In a little Georgia shack
So why do they still talk about the young?
Congo, Cuba, it’s out of the frying pan
China’s got an atom bomb
Boy, it’s gonna hit the fan
Let’s talk about the young in Vietnam
They’re over there a-fighting for our land
Yeah, they’re young but they got guts,
Bayonets and rifle butts
Well who’s a gonna bury all our young?
Hey you talkers will you bury all our young?

Wisdom From The Master of Space and Time

Same, Leon, same. After spending time with people, sometimes it takes a while to decompress and silence is necessary. And lovely.

What I’m Reading: Leon Russell In His Own Words

“Once in a lifetime across your lifeline crosses an energy like no other. This is Leon Russell to me.”
Gary Busey, musician, actor, long-time friend of the Master of Space and Time.

It’s a sunny and warm November day here in SoCal, a perfect time to sit outside on the deck and read Leon Russell In His Own Words.

It’s not a huge book but any light shed on the mysterious, charismatic, and enigmatic MOSAT is appreciated.

It features memories by and about LR from his childhood, high school bands, session work in Los Angeles, and some of his tours.

I’m always amazed at the sheer numbers of records that benefited from Leon’s words, arrangements, and productions. He was a legendary musician, composer, and performer whose musical influence can’t be overstated.

Leon Russell was a one-of-a-kind human; I don’t think we’re likely to experience that kind of genius in several lifetimes.

This little book was enjoyable and informative; I totally recommend!

Now I’m waiting for my Christmas/Hanukkah gift: another book about Leon Russell ; this one is written by Bill Janovitz: Leon Russell: The Master of Space and Time’s Journey Through Rock & Roll History

Some people simply defy stereotypes:

Leon Russell 🎩 Bluebird

The world lost Leon Russell eight years ago on November 13, 2016. He was and will always be the absolutely gorgeous Master of Space and Time. He is so very missed. I hope that our collective and continued love for Leon offers his family some small comfort as they remember his life. We will never forget him or his musical genius that still brings so much joy.

According to his mother, Leon Russell’s first words happened as a result of observing some birds…“What’s the matter little birdie, you cry?” She was shocked because Leon had never before spoken. For some reason, that sweet story touches my heart. Maybe it was a bluebird.

Credit to the photographer

This Mary Oliver poem about a bluebird seems to convey what I can’t figure out how to say.

What Gorgeous Thing

I do not know what gorgeous thing
the bluebird keeps saying,
his voice easing out of his throat,
beak, body into the pink air
of the early morning. I like it
whatever it is. Sometimes
it seems the only thing in the world
that is without dark thoughts.
Sometimes it seems the only thing
in the world that is without
questions that can’t and probably
never will be answered, the
only thing that is entirely content
with the pink, then clear white
morning and, gratefully, says so. — Mary Oliver

Bluebird by Leon Russell

*Featured photo credit to Enchanted Seashells of scrub jay