Leon Russell, Master of Space and Time. Rest in Peace, Power, and Music

Today is the anniversary of Leon’s death, November 13, 2016.

Here’s where it began — Leon was sixteen years old in this KOTV photo from the 1958 March of Dimes Telethon. Left to right, Tommy Crook, drummer Chuck Blackwell, Jimmy ‘Junior’ Markham, Bill Raffensperger and (Leon) Claude Russell Bridges.

From Tulsa Today

Leon Russell will always be the one and only visionary and musical magician, The Master of Space and Time, and we’re still mourning him.

A Song For You is one of the most beautiful and iconic songs ever composed and no one can perform it like Leon.

Rest in peace, power, and music.

Another Day, Another Injury, Another Life Lesson NOT Learned

I’m searching for whom or what I can blame for my latest stupid injury, like maybe Mercury Retrograde or the 11/11 portal?

I surely don’t think I would set an intention for — nor manifest — bodily damage, so I guess I’ll have to accept 100% of the blame for this one, which I knew was going to happen seconds before it did.

Here’s the scenario: I was planning to step off the deck, about a foot or so, onto some pavers. The wind had blown a small rug onto the pavers but at the same time that I chose NOT to bend down and remove it, I had the thought that there was a real and distinct possibility that I couldn’t see where I planned to step down, so I REALLY should take the two seconds to remove the rug — but I did not, and there I was, once again on the ground because I had not only awkwardly trapped my foot between two pavers that were obscured by that damn rug, but, as I fell, the edge of one of them hit me HARD at the exact location of my previous split-open shin, I then fell on my wrist (one I had broken a few years ago) and sprained the other ankle as it folded under me, an ungraceful vision, most definitely NOT a pretty sight; not princess-like in any way.

Ouch.

Covered in dirt and leaves, I sat there for a while like I always do, assessing the damage and shaking my head at my own stupidity.

The scar from before looks pretty angry and a bit bloody. There’s already a bump and a lump and is blooming some ugly bruises, but no broken bones this time, at least I hope not. I can live with the sprained wrist/ankle; at this point we’re old friends.

When will I ever learn?

Somebody once said “a definition of insanity is doing the same thing over and over again and expecting a different result.” It’s been wrongly attributed to Einstein, but some people think it’s from Rita Mae Brown or a 1981 Narcotics Anonymous pamphlet.

Maybe insanity is not exactly my issue, but I hope one day I learn not to be so careless and impulsive about my personal safety.

Mad Dogs and Englishmen

Mad Dogs and Englishmen, the 1971 concert film mostly about a Joe Cocker tour, was just released on YouTube. The timing of this release coincides with Joe Cocker being inducted into the Rock and Roll Hall of Fame on Saturday.

Joe Cocker was an English singer who rose to fame in the 1960s after his performance at Woodstock. Known for his distinctive voice and dynamic stage presence, Cocker was a gifted interpreter of other artists’ work. His cover of the Beatles’ “With a Little Help from My Friends” at Woodstock became his signature song and an anthem of the era. Cocker’s other notable covers include “Feelin’ Alright”, “The Letter”, and Leon Russell’s “Delta Lady”.

Leon of course

Joe Cocker’s management had organized a tour of the U.S. for him but he was left without a band. His producer at A&M records was Denny Cordell, who happened to be starting his own label with Leon Russell called Shelter Records.

Cordell and Cocker asked Leon to assemble a band for the tour, and Leon agreed only if they could do it like no one had done before.

Through his many connections to outstanding musicians through thousands of studio sessions with the Wrecking Crew, Leon was quickly able to gather together an ensemble of more than twenty musicians, including three drummers, and a backing choir. Leon was the lead guitarist, pianist, arranger, band leader, and musical director. 

 Leon said, “I will put together the band and I’ll do the arrangements and I’ll do everything but I have to be driving this bus. Nothing will go on unless I say so.https://musicdayz.com/

Leon also insisted that a camera crew follow the tour, which became the Mad Dogs and Englishmen documentary film, one of the essential rock n roll films that depicted that era of music.

It became the Leon Russell show because his powerful charisma was undeniable.

From musician Chris Stainton, “I admire Leon Russell so much. He’s an exquisite piano player, especially in that Louisiana style. He was so hot then, at the top of his playing ability. When Leon played piano, I’d play organ, and then I’d switch to piano when Leon took over on guitar.”

The tour would become legendary and the ensuing live album would reach #2 on the U.S. Billboard Top 200. Performances of The Band’s “The Weight,” Traffic’s “Feelin’ Alright,” and The Box Tops’ “The Letter” highlighted the setlist that was capped off by a wild and rousing rendition of Leon’s own “Delta Lady.” Leon and Joe would duet on their version of Bob Dylan’s “Girl from the North Country.”

The tour served as an opportunity for Leon to showcase his own material, as he would be given stage time to perform “Hummingbird” and “Dixie Lullaby,” which were both to be released on his debut album. 

Mad Dogs and Englishmen introduced Leon to the world. Although headlined by Joe Cocker, it wouldn’t have been possible without the visionary genius of Leon Russell as Master of Space and Time.

While the tour catapulted both Leon and Cocker into the pinnacles of rock n roll stature, the magnitude served as a rift between the two of them, and they would choose to pursue their careers separately from that point forward.

To this day, however, the two will be forever connected as having orchestrated one of the great happenings in the history of rock music. (From LeonRussell.com)

My favorite part starts at 4:03 and it’s Leon taking charge just being Leon and leading Will The Circle Be Unbroken.

I don’t know who owns the rights to the rest of the video, but there reallyreally needs to be another documentary, this time showcasing Leon Russell’s live performances, including Hummingbird, Dixie Lullaby, and the duet with Joe Cocker of Dylan’s Girl From The North Country, along with Leon’s amazing arrangement of Cry Me A River.

Here’s the duet:


All Alone

…they opened their wings
softly and stepped
over every dark thing.

Mary Oliver

Sitting at the top of a tree near the lagoon, this lone egret seems deep in thought and as bewildered as I am about the time change; like why is it almost dark at 5pm?

Same, egret, same.

Butterfly 🦋 Memory

“Trade me a memory,” the butterfly said
A memory that’s heavy and harsh,
And I’ll sit and I’ll listen and try my sweet best
To lighten the load on your heart.

From a poem by Becky Hemsley+Art by Amanda Cass

November’s Special Supermoon

I’m freaked out by Daylight Savings Time. I spend way too long trying to figure what is lost or gained. Nothing makes sense to me. I know I wrote about it before, but TIME itself unsettles me. Sometimes I think that I think too much haha.

On top of THAT timely adjustment, we are experiencing the Supermoon in Taurus as the closest, brightest, and strongest Full Moon of the year, filling the sky with magnetic light that amplifies everything we think, feel, and desire. As a Taurus, I really feel the energetic pull and my dreams are vivid and CRAZY.

Taurus, ruled by Venus, governs stability, wealth, love, and comfort built through patience and effort. When a Supermoon activates this sign, energy transforms quickly, and manifestation becomes clear, direct, and immediate.

Every emotion, thought, and intention carries amplified strength under this influence, shaping what unfolds in our reality with precision. Energy responds directly to our attention, so focus on what deserves to grow.

This Supermoon opens a portal for divine manifestation and real change. What you call in begins forming fast, aligning our life with our higher path. Challenges fade as karmic cycles close, creating stability where uncertainty once lived.

What we envision begins taking physical form. Everything we have been feeling attracts evidence through synchronicity, communication, and opportunity. The Universe matches our vibration with accuracy, reflecting our inner world through events that arrive with perfect timing.

The message of this Moon is simple: our energy instructs the Universe. What we focus on expands, what we fear delays, and what we believe becomes real.

Taurus teaches manifestation through action. This sign builds what it dreams, one clear decision at a time, never rushing the process yet always creating steady progress. The Supermoon magnifies this lesson, asking us to remove distractions and commit fully to what matters.

We may feel inspired to declutter, finish something left undone, or step away from energy that drains our focus. Each decision we make now strengthens our foundation and carries long-term influence, so move with intention and clarity.

Manifestation gains power when what you say, believe, and do all align completely. Taurus energy rewards consistency, loyalty, and persistence that never wavers.

This is a time for focus and declaration. Write down what is desired as if it already happened. Speak with confidence, visualize success, and take immediate action that proves belief. The Universe moves faster when we act from certainty rather than waiting for signs.

Taurus connects spiritual alignment with practical action, teaching that belief holds power when expressed through consistency. Every step becomes magnetic, drawing new blessings into form.

By the time the next Supermoon rises, what is set in motion now will begin taking visible shape. Goals will show clear signs of progress and what we release will feel lighter to carry.

Keep energy grounded in gratitude as this light reaches its highest strength. The Moon magnifies thought and emotion, turning both into results that arrive fast. Gratitude multiplies blessings, opening paths that effort alone could never reach.

Move with purpose, make firm decisions, and trust the power of our actions. Keep our energy clean, our focus strong, and our belief steady, because the Universe is responds to every signal we send out. (Curated rom Alex Myles)

Day After Day

“Day After Day” was Badfinger’s biggest hit.

George Harrison invited Leon Russell to play piano on Badfinger’s third album in the summer of 1971. The piano part complemented Pete Ham’s and Harrison’s dual slide guitars on “Day After Day.” (Church Studio)

I always loved the way the piano sounded on this tune and when I found out that it was Leon I was blown away. It’s like so many songs I’ve loved over the years only to discover that Leon’s contribution was the magic that made them so memorable.

“He just sat down, closed his eyes, and played the part in one take.”

According to sound engineer Richard Lush, Russell nailed the “Day After Day” piano line almost instinctively.

I’m repeating a comment from YouTube about this recording. “George Harrison asked Leon Russell to add the piano accompaniment. They played the tracks that had already been laid down, as Leon sat in the studio by himself. After listening to it once, he sat at the piano with his eyes closed. George thought he had fallen asleep and said Leon’s name a couple of times over the speaker. Leon held his hand up and then a moment later told them he was ready and to roll tape. He played the part in one take. Don’t know if it’s true, but a cool story.”

Russell – like so many greats – had an almost spiritual sense for when not to play, and on “Day After Day” he seems to materialize only at the emotional inflection points. He doesn’t play on the piece – he haunts it, and once done, disappears from the song again like incense in a draught. He is a spectral presence, and this plays on my imagination as a strange portent for the tragedy that would befall Badfinger the band. https://danegiraud.substack.com/

Of course it’s true. I’m not at all surprised. Leon was a visionary, a musical genius, and will always and forever be the master of space and time.

PS I know there was a tragic end to Badfinger but this isn’t an exposé, just another example of the hundreds of songs that were all the better because of Leon Russell’s magic touch.

It’s Halloween Again…

I’m not feeling too happy this Halloween, there’s not much joy in the air as this bizarre regime continues to decimate the programs that support the needy, kidnap people off the street with zero due process, and reveal an absolute lack of any humanity.

BUT I’ll be dressed as a Hello Kitty witch this year, so all is not entirely lost…

Happy Halloween!

Black-headed Grosbeak

It’s a bird I’ve never before seen and I’m sooo happy he chose to visit the gardens at Casa de Enchanted Seashells!

The Black-headed Grosbeak is a migratory bird, with nesting grounds from southwestern British Columbia through the western half of the United States and into central Mexico.

I think this is a male; black head, black wings and tail with prominent white patches. Its breast is dark to tawny orange in color, more like the color of cinnamon.

Not a great zoom with my phone

The black-headed grosbeak eats pine and other seeds, berries, insects, spiders, and fruit. I didn’t hear him sing, however, his voice is a rich warble similar to that of an American robin, but more fluent, faster, softer, sweeter, and mellow with rising and falling passages that make the song much longer than the robin’s. The note is a sharp ik or eek. Both the male and female sing, but have different songs.

Its symbolism includes a message to live in harmony with yourself. to forgive yourself, trust your instincts, meditate more, and be kinder to yourself. When this bird flies into your life, it also prompts you to practice contentment. Alternatively, a Grosbeak meaning suggest being supportive of those around you who are struggling.

What an amazing garden visitor!

Adult Regrets | Forever Young

I’m not talking about the dark night of the soul burdensome self-condemnation kind of regret, but I was randomly thinking about how sad it is that when we grow up, people stop asking us who we’re going to be for Halloween.

There was always a great deal of excitement around this conversation, “Who are you going to be for Halloween?” or “What are you going to wear?”— whether we dressed as a witch or a ghost or a princess or a superhero or a pirate. It’s a way to step outside of ourselves for a couple of hours, to escape into an innocent fantasy.

Some might claim I’ve never grown up and that’s simply not true. There’s a difference between being childISHly puerile and one-dimensional as opposed to the open-hearted ability to discover and appreciate simple, joyful, childLIKE pleasures in life. That’s a good thing, in my opinion.

For Halloween, I’m never scary. I usually dress like a princess (of course) but next week I’m going to be a ballerina. I hauled out my sewing machine and made a longish sparkly pink tutu with a tulle overlay, reminiscent of Les Sylphides.

I’ll adorn myself with pink ballerina earrings (an unexpected treasure from Goodwill), my toe shoes and a tiara, so I’m really going to be a princess ballerina.

Je ne regrette rien. No regrets. Forever young.

Who are YOU going to be for Halloween?