Almost ten-year-old Angel Boy 2.0 has become a rabid Scrabble player. Zipola is a word he used to gain a triple word score.
It’s a valid word in SOME Scrabble dictionaries, but not all. However, no one was going to take that pride and joy away from him, that’s for sure.
In fact, last night he surpassed 400 points in a one-on-one game, winning against his PhD literature professor dad, and it’s one of our proudest family moments.
It’s bad enough that I could NEVER win against the original Angel Boy; I can’t imagine the future as a total loser.
UPDATE 2026: Here’s yet another missed opportunity to meet the MOSAT. This is an update to a post I wrote in 2020. I was purging old posts, read this one, and have no idea how I missed the connection between Tom Petty’s guitarist and Leon Russell, but I did, and now that I know, I’m going to contact him and hopehopehope he’ll be amenable to sharing stories about Leon and not be too annoyed with my LR obsession.
Ron Blair, the original bassist for Tom Petty and the Heartbreakers, has a direct connection to Leon Russell through the band’s early career and record label, Shelter Records.
Leon Russell’s Shelter Records was the platform that signed and released the early music of Tom Petty and the Heartbreakers, featuring Ron on bass.
In the mid-1970s, Tom Petty signed with Shelter Records, a label co-owned by Leon Russell and Denny Cordell.
Ron Blair joined the Heartbreakers in 1976 after Mudcrutch (Petty’s previous band) disbanded. During this period, the band was under the Shelter Records umbrella, which Russell founded.
Before forming the Heartbreakers, members of the group, including those who worked with Blair, were part of the Los Angeles music scene where Leon Russell was a prominent figure. Ron Blair was the bassist for the band from 1976 to 1981, during which time the band established its sound, often described as a mix of rock, country, and blues.
Original post…
I just saw an old video of Tom Petty and the Heartbreakers and it reminded me of something from my past.
When my son was around eight or ten years old (early 1990s), I’d bring him along with me to the gym and he’d go (reluctantly) to the babysitting room for an hour or so. It was mostly other doubledigiters so he didn’t have a real problem with it, and eventually became friendly with a boy about the same age.
Their friendship progressed beyond the gym to birthdays and sleepovers. For a while, these two boys were inseparable.
One day, out of the blue, and I’m a bit fuzzy on the details, the boy’s dad asked if I could give him a ride to LAX. It’s a ninety minute drive and I’m not sure why I said yes ‘cos I seriously HATE to drive, especially if it involves LA traffic, but I loaded the boys and the dad (along with his guitar) in my car.
I can’t pinpoint the exact moment when I learned that his dad was actually superstar guitarist Ron Blair of Tom Petty and the Heartbreakers, but when I did, I was suitably impressed and starstruck. All I do remember is that he was always quiet but courteous and appreciated the airport ride. However, he looked EVERY bit a rock and roll superstar.
A couple weeks pre-Covid, a friend invited me to a fundraiser for the local food bank. It was an outdoor venue with a lot of musical guests. The headliner’s name was a familiar one. Lo and behold, it was Ron Blair, who now lives in my little town.
We chatted a bit; I can’t honestly say that he remembered me, but he did remember my son which was cool.
Still quiet, humble, friendly, and amazingly talented.
We’ve all aged and I’m obviously way too old to be a groupie (sigh), but I do remember THOSE good old days, haha.
OMG just listen to Leon’s piano magic…it’s spellbinding.
Leon Russell’s relationship with Delaney Bramlett had been quite productive. They’d worked together on demos for Metric music in the early 60s and recorded solo material for Delaney in 1964 with Jackie De Shannon and Billy Strange.
After his stint as a Shindog on Shindig!, Delaney met Bonnie which led to one of music’s legendary duos, Delaney & Bonnie. After some recording sessions in Hollywood for release on the Independence label, the duo got involved with Don Nix in Memphis, who’d been working with Leon Russell in the studio for Gary Lewis & The Playboys. Don got them on the soulful Stax label and their album Delany & Bonnie Home was made.
Credit to Leon Russell Superstar in a Masquerade — Photo from Pinterest
The Snow Moon rises today, glowing bright against the muted light of late winter.
For generations, people knew February’s full moon as the Snow Moon. It marked the coldest stretch of winter, a time of survival, patience, and quiet strength.
The name carries both starkness and hope: a reminder that even when the world feels still and silent, the earliest signs of new life are gathering beneath the surface.
Traditionally, the Snow Moon symbolised patience, resilience, and the slow, quiet preparation for spring.
Endurance – moving steadily through challenging seasons Clarity – winter stripping things back to what truly matters Renewal – the subtle beginnings of new energy forming beneath the surface Trust – believing in cycles even when progress is hidden
Winter’s stillness can feel stark, but it also helps us see what matters, and what doesn’t. This full moon encourages us to slow down, conserve our energy, and prepare internally for the new cycle ahead.
The Snow Moon invites gentle reflection:
Where can you soften your grip? Where can you let stillness support you? Where might rest be the medicine you’ve been avoiding?
Tell her to hold on. Tell her to hold on tight. Even through the darkest of night.
Sometimes When we’re lost We have to light our own candle And find our way Through the loneliest of places Through the darkest of places And when we’ve learnt from those places Only then Do we find our way Back home to ourselves
Update: A kind reader commented and asked if this was actually a Western Bluebird (Sialia mexicana) and after some research, I’m convinced he’s correct! I automatically assumed it was the same scrub jay family that returns every year, but this is a much smaller bird.
I might rewrite this entire post to reflect the correction, but for now, as you’re reading, just replace Scrub Jay with Western Bluebird and it all works out.
My blueblue California Scrub Jay family has returned to build a nest in the tree house. While so much is WRONG in this world right now, the fact that these birds reappeared is heartwarming.
Photo by Enchanted Seashells
While they don’t use the same nesting material year after year, jays often return to the same location, referred to as site loyalty. They are very attached to their home ranges, and pairs often stay together for multiple years, leading them to build new nests in familiar spots within that territory.
Photo by Enchanted Seashells
How lucky am I that these guys feel safe here at Casa de Enchanted Seashells!
Welcome home!
Photo by Enchanted Seashells
I can’t resist a connection to Leon Russell. Although it’s not at all about blue birds, his song, Bluebird, is musical perfection. Sadly, I don’t think there’s a video of a live performance. https://youtu.be/Zhaq-wWykZU?si=6fegLI90ZUqI-N5q
“When I am silent, I fall into the place where everything is music.” — Rumi
Whew, it’s definitely time for a Rumi quote to bring down sky high BP.
Today is Martin Luther King Day and that petty psychopathic orange POS removed MLK Day and Juneteenth from the list of fee-free days for our national parks and replaced them with days like Flag Day (his birthday).
My governor, California’s Governor Newsom, countered by making over 200 California State Parks free on MLK Day.
Enjoy this silent and stark tree from Mt. San Jacinto near Palm Springs, California.
Written by Paul Simon and originally performed by Simon and Garfunkel, this live version of Homeward Bound by Leon Russell (and Gary Ogan) is a TREASURE I had never heard before yesterday.
Photo credit Gary Ogan
Gary Ogan is a forty-seven year veteran in the music business and an Oregon Music Hall of Fame inductee. He moved to Los Angeles in 1977 to sign with Leon Russell’s Paradise Records.
From Gary Ogan: “As the winter of 1977 approached, I was booked as a solo opener for Phoebe Snow on a short run through the Pacific Northwest, five dates altogether, including Thanksgiving night in Portland at the Civic Auditorium. Once the mini-tour was confirmed, Leon mentioned that he and Mary wanted to fly up for my Portland show. He asked if I wanted him to sit in with me. Then he shared the idea he had hatched. He and Mary would watch my set from the wings, then he would step out unannounced after my last song for a duet of “Homeward Bound.” He would sing lead, I would sing backup, we would do the song in the key of C, I would capo my guitar at the 8th fret and play the song in the G position. Once again, I loved how much thought he had put into such a generous gesture. It came off great too. The place went nuts when he walked out, and the ovation would not stop after we left. Here’s a shot of that performance.”
This is a long lost soundboard audio of an unreleased performance with Gary Ogan, featuring the Master of Space and Time, Leon Russell.
Leon’s musical genius never fails to bring joy. His interpretation is AMAZING, as is the perfection of his voice for these lyrics. It’s rare to hear him sing without sitting at his piano.
Enchanted Seashells | Princess Rosebud 